Early Buddhist art of China and Central Asia / Volume 3, : The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / / by Marylin Martin Rhie.
This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study...
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Superior document: | Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, vol. 12/3 |
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Year of Publication: | 2010 |
Language: | English |
Series: | Handbuch der Orientalistik. China ;
v. 12/3. |
Physical Description: | 1 online resource (1017 p.) |
Notes: | Description based upon print version of record. |
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100 | 1 | |a Rhie, Marylin M. | |
245 | 1 | 0 | |a Early Buddhist art of China and Central Asia |n Volume 3, |p The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / |c by Marylin Martin Rhie. |
260 | |a Leiden : |b Brill, |c 2010. | ||
300 | |a 1 online resource (1017 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
490 | 1 | |a Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, |x 0169-9520 ; |v vol. 12/3 | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
505 | 0 | 0 | |a Preliminary Material -- Introduction -- Chapter One The Western Ch’in (385-431 A.D.): History and Buddhism -- Chapter Two Bronze Buddha Altar from Ching-ch’uan -- Chapter Three Ping-ling ssu Stone Caves: Introduction and Niche No. 1 -- Chapter Four Ping-ling ssu Cave 169: West (Rear) Wall -- Chapter Five Ping-ling ssu Cave 169: East and South Walls -- Chapter Six Ping-ling ssu Cave 169: North Wall (I) -- Chapter Seven Ping-ling ssu Cave 169: North Wall (II) -- Chapter Eight The Five Buddhas and Sets of Multiple Buddhas in the Art of Gandhāra and Afghanistan and their Relation to Cave 169 at Ping-ling ssu and the Five T’an-yao Caves at Yün-kang -- Chapter Nine Mai-chi shan: Early Caves -- Conclusions: Volume III -- Appendix I: Communication Routes during the Sixteen Kingdoms Period -- Appendix II: Table of Texts Regarding Amitāyus and Sukhāvatī -- Bibliography -- Index -- Color Plates. |
520 | |a This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yün-kang. | ||
504 | |a Includes bibliographical references and index. | ||
650 | 0 | |a Art, Central Asian. | |
650 | 0 | |a Art, Chinese. | |
650 | 0 | |a Buddhist art |z Asia, Central. | |
650 | 0 | |a Buddhist art |z China. | |
776 | |z 90-04-18400-7 | ||
830 | 0 | |a Handbuch der Orientalistik. |n Vierte Abteilung, |p China ; |v v. 12/3. | |
906 | |a BOOK | ||
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