Courtly visions : : the Ise stories and the politics of cultural appropriation / / Joshua S. Mostow ; design, Peter Yeoh.

• Superior document: Japanese Visual Culture ; Volume 12
• VerfasserIn: Mostow, Joshua S.,
• TeilnehmendeR: Yeoh, Peter,
• Place / Publishing House: Leiden, Netherlands : : Brill,, 2014.; 2014
• Year of Publication: 2014
• Edition: 1st ed.
• Language: English
• Series: Japanese visual culture ; Volume 12.
• Physical Description: xii, 350p. ;; ill. (col).
• Notes: Description based upon print version of record.

Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century.

Table of Contents

• Intro
• Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation
• Copyright
• Dedication
• Contents
• Acknowledgments
• INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS
• 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI
• Narihira and Prince Koretaka's Salon
• The Ise and Screen-Poems (byobu-uta)
• Ise Screens
• 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS
• The Texts of the Ise monogatari
• Hakubyo Painting and Women's Autobiographical Writing in the Heian Period
• The Hakubyo Pictures
• Hakubyo Painting
• Identifying the Hakubyo Ise monogatari Scenes
• The Hakubyo Ise monogatari emaki and Female Readers
• The "Feminine Re-Guard"
• Conclusion
• 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA
• Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika
• Narihira as Model Courtier
• The Love Song of Lord Takafusa
• The Love Song as Medieval Enlightenment Tale
• The Love Song and Lèse Majesté
• 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL
• Identifying the Episodes
• The Kubo Ise and Kyogoku Poetry
• The Kubo Ise and Lady Nijo
• 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL
• From the Takafusa shu to the Tsuya-kotoba emaki
• Emperor Fushimi and the Ise monogatari
• The Love Song of Lord Takafusa Illustrated Scroll
• The Political Function of the Takafusa-kyo tsuya-kotoba emaki
• 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS
• The Introduction of the Ihon Ise monogatari emaki
• Representations of Sumiyoshi Daimyojin
• Ise monogatari and the Noh Theater
• Wit and Humor in the Ihon Illustrated Scrolls
• Kacho Fugetsu
• 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES.
• The Creation of the Saga-bon Ise monogatari: Part I
• Ogi no soshi and Ise iconography
• The "British Library Line" of Texts
• The Creation of the Saga-bon Ise monogatari: Part II
• Reprise as Conclusion: The Saga-bon "Lineage"
• A. The Honokuni Bunko-bon Ise monogatari emaki
• B. The Tosa-ha and the Suntory Ise monogatari Screens
• C. The Mitsumochi-bon
• D. The Saga-bon Ise monogatari and Saigyo monogatari emaki
• 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER
• The Sotatsu Ise monogatari Album Leaves (shikishi)
• Sotatsu Screens of the Ise monogatari
• The British Museum Ise monogatari screen
• The Ise Stories' Two Iconographies
• EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS
• Other Developments in the Seventeenth Century
• Ise on Stage
• Further Eighteenth-Century Developments
• Narihira and Genji in the Nineteenth Century
• Mitate Series
• Chiryu, and Ise in the Geographic Imagination
• Ise monogatari in the Meiji Period
• Ise monogatari to the Beginning of the Twenty-First Century
• Endnotes
• Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki)
• Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough
• Bibliography
• Index of First Lines of Poems
• Subject lndex.