Courtly visions : : the Ise stories and the politics of cultural appropriation / / Joshua S. Mostow ; design, Peter Yeoh.

Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century.

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Superior document:Japanese Visual Culture ; Volume 12
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands : : Brill,, 2014.
2014
Year of Publication:2014
Edition:1st ed.
Language:English
Series:Japanese visual culture ; Volume 12.
Physical Description:xii, 350p. ;; ill. (col).
Notes:Description based upon print version of record.
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(CaPaEBR)ebr10930776
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collection bib_alma
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spelling Mostow, Joshua S., author.
Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh.
1st ed.
Leiden, Netherlands : Brill, 2014.
2014
xii, 350p. ; ill. (col).
text rdacontent
computer rdamedia
online resource rdacarrier
Japanese Visual Culture ; Volume 12
Description based upon print version of record.
Includes bibliographical references and index.
Description based on print version record.
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century.
Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES.
The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex.
Japanese literature To 1600 History and criticism.
Ise monogatari.
Ise monogatari Illustrations.
Yeoh, Peter, designer.
Japanese visual culture ; Volume 12.
language English
format eBook
author Mostow, Joshua S.,
spellingShingle Mostow, Joshua S.,
Courtly visions : the Ise stories and the politics of cultural appropriation /
Japanese Visual Culture ;
Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES.
The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex.
author_facet Mostow, Joshua S.,
Yeoh, Peter,
author_variant j s m js jsm
author_role VerfasserIn
author2 Yeoh, Peter,
author2_variant p y py
author2_role TeilnehmendeR
author_sort Mostow, Joshua S.,
title Courtly visions : the Ise stories and the politics of cultural appropriation /
title_sub the Ise stories and the politics of cultural appropriation /
title_full Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh.
title_fullStr Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh.
title_full_unstemmed Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh.
title_auth Courtly visions : the Ise stories and the politics of cultural appropriation /
title_new Courtly visions :
title_sort courtly visions : the ise stories and the politics of cultural appropriation /
series Japanese Visual Culture ;
series2 Japanese Visual Culture ;
publisher Brill,
publishDate 2014
physical xii, 350p. ; ill. (col).
edition 1st ed.
contents Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES.
The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex.
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