Courtly visions : : the Ise stories and the politics of cultural appropriation / / Joshua S. Mostow ; design, Peter Yeoh.
Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century.
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Superior document: | Japanese Visual Culture ; Volume 12 |
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Place / Publishing House: | Leiden, Netherlands : : Brill,, 2014. 2014 |
Year of Publication: | 2014 |
Edition: | 1st ed. |
Language: | English |
Series: | Japanese visual culture ;
Volume 12. |
Physical Description: | xii, 350p. ;; ill. (col). |
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Mostow, Joshua S., author. Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh. 1st ed. Leiden, Netherlands : Brill, 2014. 2014 xii, 350p. ; ill. (col). text rdacontent computer rdamedia online resource rdacarrier Japanese Visual Culture ; Volume 12 Description based upon print version of record. Includes bibliographical references and index. Description based on print version record. Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation traces--through the visual and literary record--the reception and use of the tenth-century literary romance through the seventeenth century. Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex. Japanese literature To 1600 History and criticism. Ise monogatari. Ise monogatari Illustrations. Yeoh, Peter, designer. Japanese visual culture ; Volume 12. |
language |
English |
format |
eBook |
author |
Mostow, Joshua S., |
spellingShingle |
Mostow, Joshua S., Courtly visions : the Ise stories and the politics of cultural appropriation / Japanese Visual Culture ; Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex. |
author_facet |
Mostow, Joshua S., Yeoh, Peter, |
author_variant |
j s m js jsm |
author_role |
VerfasserIn |
author2 |
Yeoh, Peter, |
author2_variant |
p y py |
author2_role |
TeilnehmendeR |
author_sort |
Mostow, Joshua S., |
title |
Courtly visions : the Ise stories and the politics of cultural appropriation / |
title_sub |
the Ise stories and the politics of cultural appropriation / |
title_full |
Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh. |
title_fullStr |
Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh. |
title_full_unstemmed |
Courtly visions : the Ise stories and the politics of cultural appropriation / Joshua S. Mostow ; design, Peter Yeoh. |
title_auth |
Courtly visions : the Ise stories and the politics of cultural appropriation / |
title_new |
Courtly visions : |
title_sort |
courtly visions : the ise stories and the politics of cultural appropriation / |
series |
Japanese Visual Culture ; |
series2 |
Japanese Visual Culture ; |
publisher |
Brill, |
publishDate |
2014 |
physical |
xii, 350p. ; ill. (col). |
edition |
1st ed. |
contents |
Intro -- Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation -- Copyright -- Dedication -- Contents -- Acknowledgments -- INTRODUCTION: READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS -- 1 THE ROMANCE OF THE PICTURE: SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI -- Narihira and Prince Koretaka's Salon -- The Ise and Screen-Poems (byobu-uta) -- Ise Screens -- 2 FEMALE READERS AND EARLY HEIAN ROMANCES: THE HAKUBYO ISE STORIES ILLUSTRATED SCROLL FRAGMENTS -- The Texts of the Ise monogatari -- Hakubyo Painting and Women's Autobiographical Writing in the Heian Period -- The Hakubyo Pictures -- Hakubyo Painting -- Identifying the Hakubyo Ise monogatari Scenes -- The Hakubyo Ise monogatari emaki and Female Readers -- The "Feminine Re-Guard" -- Conclusion -- 3 ALLUSION AND AUTHORITY: THE LOVE SONG OF LORD TAKAFUSA -- Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika -- Narihira as Model Courtier -- The Love Song of Lord Takafusa -- The Love Song as Medieval Enlightenment Tale -- The Love Song and Lèse Majesté -- 4 THE KUBO VERSION: THE ISE STORIES AS CULTURAL CAPITAL -- Identifying the Episodes -- The Kubo Ise and Kyogoku Poetry -- The Kubo Ise and Lady Nijo -- 5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL -- From the Takafusa shu to the Tsuya-kotoba emaki -- Emperor Fushimi and the Ise monogatari -- The Love Song of Lord Takafusa Illustrated Scroll -- The Political Function of the Takafusa-kyo tsuya-kotoba emaki -- 6 TANTRIC COMMENTARIES AND POPULAR HUMOR: THE VARIANT ISE STORIES ILLUSTRATED SCROLLS -- The Introduction of the Ihon Ise monogatari emaki -- Representations of Sumiyoshi Daimyojin -- Ise monogatari and the Noh Theater -- Wit and Humor in the Ihon Illustrated Scrolls -- Kacho Fugetsu -- 7 THE ESTABLISHMENT OF AN ICONOGRAPHY: THE SAGA EDITION ISE STORIES. The Creation of the Saga-bon Ise monogatari: Part I -- Ogi no soshi and Ise iconography -- The "British Library Line" of Texts -- The Creation of the Saga-bon Ise monogatari: Part II -- Reprise as Conclusion: The Saga-bon "Lineage" -- A. The Honokuni Bunko-bon Ise monogatari emaki -- B. The Tosa-ha and the Suntory Ise monogatari Screens -- C. The Mitsumochi-bon -- D. The Saga-bon Ise monogatari and Saigyo monogatari emaki -- 8 ISE ICONOGRAPHY AS VISUAL "SECRET TRANSMISSION" (HIDEN): THE CREATION OF THE ISE ICONOGRAPHY OF THE SOTATSU ATELIER -- The Sotatsu Ise monogatari Album Leaves (shikishi) -- Sotatsu Screens of the Ise monogatari -- The British Museum Ise monogatari screen -- The Ise Stories' Two Iconographies -- EPILOGUE: THE ISE STORIES AND THEIR IMAGERY IN THE LATER EDO AND MODERN PERIODS -- Other Developments in the Seventeenth Century -- Ise on Stage -- Further Eighteenth-Century Developments -- Narihira and Genji in the Nineteenth Century -- Mitate Series -- Chiryu, and Ise in the Geographic Imagination -- Ise monogatari in the Meiji Period -- Ise monogatari to the Beginning of the Twenty-First Century -- Endnotes -- Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll (Takafusa-kyo tsuya-kotoba emaki) -- Appendix B. Introduction and Translation of Kacho Fugetsu, by R. Keller Kimbrough -- Bibliography -- Index of First Lines of Poems -- Subject lndex. |
isbn |
9789004249431 : (ebk : EbookCentral) |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PL - Eastern Asia, Africa, Oceania |
callnumber-label |
PL726 |
callnumber-sort |
PL 3726.115 M678 42014 |
genre_facet |
Illustrations. |
era_facet |
To 1600 |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
890 - Other literatures |
dewey-ones |
895 - Literatures of East & Southeast Asia |
dewey-full |
895.6009 |
dewey-sort |
3895.6009 |
dewey-raw |
895.6009 |
dewey-search |
895.6009 |
oclc_num |
890982326 |
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Courtly visions : the Ise stories and the politics of cultural appropriation / |
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