"And never know the joy" : : sex and the erotic in English poetry / / edited by C.C. Barfoot.

“And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instrumen...

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Superior document:DQR studies in literature ; 36
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Place / Publishing House:Amsterdam ;, New York : : Rodopi,, 2006.
Year of Publication:2006
Language:English
Series:DQR Studies in Literature 36.
Physical Description:1 online resource (503 p.)
Notes:Description based upon print version of record.
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spelling Barfoot, C. C., author.
DQR STUDIES IN LITERATURE, VOLUME 36
"And never know the joy" : sex and the erotic in English poetry / edited by C.C. Barfoot.
And Never Know the Joy
"And Never Know the Joy"
Amsterdam ; New York : Rodopi, 2006.
1 online resource (503 p.)
text txt
computer c
online resource cr
DQR studies in literature ; 36
Description based upon print version of record.
English
Preliminary Material / C.C. Barfoot -- RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS / JANINE ROGERS -- BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS / KEVIN TEO KIA CHOONG -- THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES / LUISELLA CAON -- REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” / BART VELDHOEN -- PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD / GLYN PURSGLOVE -- “CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX / MARK LLEWELLYN -- THE NYMPH’S REPLY NINE MONTHS LATER / REBECCA C. POTTER -- LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” / TRACY WENDT LEMASTER -- “UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS / KARI BOYD MCBRIDE -- “FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION / LISA MARIE LIPIPIPATVONG -- OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION / NOWELL MARSHALL -- “HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY / MONIKA LEE -- “BURSTING JOY’S GRAPE” IN KEATS’ ODES / DANIEL BRASS -- “IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES / C.C. BARFOOT -- CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS / BRITTA ZANGEN -- “TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI / FAHRÏ ÖZ -- RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS / J.D. BALLAM -- THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED / R. VAN BRONSWIJK -- THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY / ANDREW HARRISON -- TRIANGULATION OF DESIRE IN H.D.’S HYMEN / NEPHIE J. CHRISTODOULIDES -- “SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP / PEG ALOI -- TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS / WIM TIGGES -- SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT / SANDIE BYRNE -- (UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS / CHERYL ALEXANDER MALCOLM -- BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE / WOLFGANG GÖRTSCHACHER -- NOTES ON CONTRIBUTORS / C.C. Barfoot -- INDEX I: SELECTED MOTIFS, TOPICS, THEMES / C.C. Barfoot -- INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES / C.C. Barfoot.
“And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instruments; the erotics of death and remembrance, are just a few of the initial themes that emerge from the twenty-five articles to be found in this volume, with many an invitation “to seize the day”. Reproduction, pregnancy, and fear; discredited and degraded libertines; the ventriloquism of sexual objects; the ease with which men are reduced to impotence by the carnality of women; orgasm and melancholy; erotic mysticism and religious sexuality; the potency and dangers of fruit and flowers; the delights of the recumbent male body and of dancing girls; the fertile ritual use of poetic texts; striptease and revolution; silent women reclaimed as active vessels, are amongst the many engaging topics that emerge out of the ongoing and entertaining scholarly discussion of sex and eroticism in English poetry.
Includes bibliographical references and indexes.
English literature Themes, motives.
Sex in literature.
Eroticism in literature.
Sex role in literature.
English poetry History and criticism Theory, etc.
Erotic literature, English History and criticism.
Sex In Literature
English Poetry
Sex Role In Literature
Erotic Literature
Literary Criticism
Barfoot, C. C.
90-420-2075-X
90-420-2076-8
DQR Studies in Literature 36.
language English
format eBook
author Barfoot, C. C.,
spellingShingle Barfoot, C. C.,
"And never know the joy" : sex and the erotic in English poetry /
DQR studies in literature ;
Preliminary Material /
RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS /
BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS /
THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES /
REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” /
PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD /
“CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX /
THE NYMPH’S REPLY NINE MONTHS LATER /
LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” /
“UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS /
“FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION /
OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION /
“HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY /
“BURSTING JOY’S GRAPE” IN KEATS’ ODES /
“IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES /
CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS /
“TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI /
RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS /
THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED /
THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY /
TRIANGULATION OF DESIRE IN H.D.’S HYMEN /
“SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP /
TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS /
SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT /
(UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS /
BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE /
NOTES ON CONTRIBUTORS /
INDEX I: SELECTED MOTIFS, TOPICS, THEMES /
INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES /
author_facet Barfoot, C. C.,
Barfoot, C. C.
author_variant c c b cc ccb
author_role VerfasserIn
author2 Barfoot, C. C.
author2_variant c c b cc ccb
author2_role TeilnehmendeR
author_sort Barfoot, C. C.,
author_additional C.C. Barfoot --
JANINE ROGERS --
KEVIN TEO KIA CHOONG --
LUISELLA CAON --
BART VELDHOEN --
GLYN PURSGLOVE --
MARK LLEWELLYN --
REBECCA C. POTTER --
TRACY WENDT LEMASTER --
KARI BOYD MCBRIDE --
LISA MARIE LIPIPIPATVONG --
NOWELL MARSHALL --
MONIKA LEE --
DANIEL BRASS --
C.C. BARFOOT --
BRITTA ZANGEN --
FAHRÏ ÖZ --
J.D. BALLAM --
R. VAN BRONSWIJK --
ANDREW HARRISON --
NEPHIE J. CHRISTODOULIDES --
PEG ALOI --
WIM TIGGES --
SANDIE BYRNE --
CHERYL ALEXANDER MALCOLM --
WOLFGANG GÖRTSCHACHER --
C.C. Barfoot.
title "And never know the joy" : sex and the erotic in English poetry /
title_sub sex and the erotic in English poetry /
title_short DQR STUDIES IN LITERATURE, VOLUME 36
title_full "And never know the joy" : sex and the erotic in English poetry / edited by C.C. Barfoot.
title_fullStr "And never know the joy" : sex and the erotic in English poetry / edited by C.C. Barfoot.
title_full_unstemmed "And never know the joy" : sex and the erotic in English poetry / edited by C.C. Barfoot.
title_auth "And never know the joy" : sex and the erotic in English poetry /
title_alt And Never Know the Joy
"And Never Know the Joy"
Preliminary Material /
RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS /
BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS /
THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES /
REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” /
PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD /
“CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX /
THE NYMPH’S REPLY NINE MONTHS LATER /
LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” /
“UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS /
“FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION /
OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION /
“HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY /
“BURSTING JOY’S GRAPE” IN KEATS’ ODES /
“IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES /
CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS /
“TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI /
RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS /
THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED /
THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY /
TRIANGULATION OF DESIRE IN H.D.’S HYMEN /
“SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP /
TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS /
SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT /
(UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS /
BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE /
NOTES ON CONTRIBUTORS /
INDEX I: SELECTED MOTIFS, TOPICS, THEMES /
INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES /
title_new "And never know the joy" :
title_sort "and never know the joy" : sex and the erotic in english poetry /
series DQR studies in literature ;
series2 DQR studies in literature ;
publisher Rodopi,
publishDate 2006
physical 1 online resource (503 p.)
contents Preliminary Material /
RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS /
BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS /
THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES /
REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” /
PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD /
“CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX /
THE NYMPH’S REPLY NINE MONTHS LATER /
LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” /
“UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS /
“FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION /
OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION /
“HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY /
“BURSTING JOY’S GRAPE” IN KEATS’ ODES /
“IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES /
CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS /
“TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI /
RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS /
THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED /
THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY /
TRIANGULATION OF DESIRE IN H.D.’S HYMEN /
“SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP /
TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS /
SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT /
(UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS /
BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE /
NOTES ON CONTRIBUTORS /
INDEX I: SELECTED MOTIFS, TOPICS, THEMES /
INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES /
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Barfoot.</subfield></datafield><datafield tag="246" ind1=" " ind2=" "><subfield code="a">And Never Know the Joy</subfield></datafield><datafield tag="246" ind1=" " ind2=" "><subfield code="a">"And Never Know the Joy" </subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Rodopi,</subfield><subfield code="c">2006.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (503 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">DQR studies in literature ;</subfield><subfield code="v">36</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material /</subfield><subfield code="r">C.C. Barfoot -- </subfield><subfield code="t">RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS /</subfield><subfield code="r">JANINE ROGERS -- </subfield><subfield code="t">BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS /</subfield><subfield code="r">KEVIN TEO KIA CHOONG -- </subfield><subfield code="t">THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES /</subfield><subfield code="r">LUISELLA CAON -- </subfield><subfield code="t">REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” /</subfield><subfield code="r">BART VELDHOEN -- </subfield><subfield code="t">PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD /</subfield><subfield code="r">GLYN PURSGLOVE -- </subfield><subfield code="t">“CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX /</subfield><subfield code="r">MARK LLEWELLYN -- </subfield><subfield code="t">THE NYMPH’S REPLY NINE MONTHS LATER /</subfield><subfield code="r">REBECCA C. POTTER -- </subfield><subfield code="t">LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” /</subfield><subfield code="r">TRACY WENDT LEMASTER -- </subfield><subfield code="t">“UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS /</subfield><subfield code="r">KARI BOYD MCBRIDE -- </subfield><subfield code="t">“FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION /</subfield><subfield code="r">LISA MARIE LIPIPIPATVONG -- </subfield><subfield code="t">OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION /</subfield><subfield code="r">NOWELL MARSHALL -- </subfield><subfield code="t">“HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY /</subfield><subfield code="r">MONIKA LEE -- </subfield><subfield code="t">“BURSTING JOY’S GRAPE” IN KEATS’ ODES /</subfield><subfield code="r">DANIEL BRASS -- </subfield><subfield code="t">“IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES /</subfield><subfield code="r">C.C. BARFOOT -- </subfield><subfield code="t">CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS /</subfield><subfield code="r">BRITTA ZANGEN -- </subfield><subfield code="t">“TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI /</subfield><subfield code="r">FAHRÏ ÖZ -- </subfield><subfield code="t">RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS /</subfield><subfield code="r">J.D. BALLAM -- </subfield><subfield code="t">THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED /</subfield><subfield code="r">R. VAN BRONSWIJK -- </subfield><subfield code="t">THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY /</subfield><subfield code="r">ANDREW HARRISON -- </subfield><subfield code="t">TRIANGULATION OF DESIRE IN H.D.’S HYMEN /</subfield><subfield code="r">NEPHIE J. CHRISTODOULIDES -- </subfield><subfield code="t">“SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP /</subfield><subfield code="r">PEG ALOI -- </subfield><subfield code="t">TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS /</subfield><subfield code="r">WIM TIGGES -- </subfield><subfield code="t">SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT /</subfield><subfield code="r">SANDIE BYRNE -- </subfield><subfield code="t">(UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS /</subfield><subfield code="r">CHERYL ALEXANDER MALCOLM -- </subfield><subfield code="t">BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE /</subfield><subfield code="r">WOLFGANG GÖRTSCHACHER -- </subfield><subfield code="t">NOTES ON CONTRIBUTORS /</subfield><subfield code="r">C.C. Barfoot -- </subfield><subfield code="t">INDEX I: SELECTED MOTIFS, TOPICS, THEMES /</subfield><subfield code="r">C.C. Barfoot -- </subfield><subfield code="t">INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES /</subfield><subfield code="r">C.C. Barfoot.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">“And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instruments; the erotics of death and remembrance, are just a few of the initial themes that emerge from the twenty-five articles to be found in this volume, with many an invitation “to seize the day”. Reproduction, pregnancy, and fear; discredited and degraded libertines; the ventriloquism of sexual objects; the ease with which men are reduced to impotence by the carnality of women; orgasm and melancholy; erotic mysticism and religious sexuality; the potency and dangers of fruit and flowers; the delights of the recumbent male body and of dancing girls; the fertile ritual use of poetic texts; striptease and revolution; silent women reclaimed as active vessels, are amongst the many engaging topics that emerge out of the ongoing and entertaining scholarly discussion of sex and eroticism in English poetry.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and indexes.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English literature</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sex in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Eroticism in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sex role in literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English poetry</subfield><subfield code="x">History and criticism</subfield><subfield code="x">Theory, etc.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Erotic literature, English</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sex In Literature</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">English Poetry</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sex Role In Literature</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Erotic Literature</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literary Criticism</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barfoot, C. 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