"And never know the joy" : : sex and the erotic in English poetry / / edited by C.C. Barfoot.
“And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instrumen...
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| Superior document: | DQR studies in literature ; 36 |
|---|---|
| VerfasserIn: | |
| TeilnehmendeR: | |
| Place / Publishing House: | Amsterdam ;, New York : : Rodopi,, 2006. |
| Year of Publication: | 2006 |
| Language: | English |
| Series: | DQR Studies in Literature
36. |
| Physical Description: | 1 online resource (503 p.) |
| Notes: | Description based upon print version of record. |
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| 210 | |a DQR STUDIES IN LITERATURE, VOLUME 36 | ||
| 245 | 0 | 0 | |a "And never know the joy" : |b sex and the erotic in English poetry / |c edited by C.C. Barfoot. |
| 246 | |a And Never Know the Joy | ||
| 246 | |a "And Never Know the Joy" | ||
| 264 | 1 | |a Amsterdam ; |a New York : |b Rodopi, |c 2006. | |
| 300 | |a 1 online resource (503 p.) | ||
| 336 | |a text |b txt | ||
| 337 | |a computer |b c | ||
| 338 | |a online resource |b cr | ||
| 490 | 1 | |a DQR studies in literature ; |v 36 | |
| 500 | |a Description based upon print version of record. | ||
| 546 | |a English | ||
| 505 | 0 | 0 | |t Preliminary Material / |r C.C. Barfoot -- |t RIDDLING EROTIC IDENTITY IN EARLY ENGLISH LYRICS / |r JANINE ROGERS -- |t BODIES OF KNOWLEDGE: EMBODYING RIOTOUS PERFORMANCE IN THE HARLEY LYRICS / |r KEVIN TEO KIA CHOONG -- |t THE PRONOUNS OF LOVE AND SEX: THOU AND YE AMONG LOVERS IN THE CANTERBURY TALES / |r LUISELLA CAON -- |t REASON VERSUS NATURE IN DUNBAR’S “TRETIS OF THE TWA MARIIT WEMEN AND THE WEDO” / |r BART VELDHOEN -- |t PRICK-SONG DITTIES: MUSICAL METAPHOR IN THE BAWDY VERSE OF THE EARLY MODERN PERIOD / |r GLYN PURSGLOVE -- |t “CEASE THY WANTON LUST”: THOMAS RANDOLPH’S ELEGY, THE CULT OF VENETIA, AND THE POSSIBILITIES OF CLASSICAL SEX / |r MARK LLEWELLYN -- |t THE NYMPH’S REPLY NINE MONTHS LATER / |r REBECCA C. POTTER -- |t LOWERING THE LIBERTINE: FEMINISM IN ROCHESTER’S “THE IMPERFECT ENJOYMENT” / |r TRACY WENDT LEMASTER -- |t “UPON A LITTLE LADY”: GENDER AND DESIRE IN EARLY MODERN ENGLISH LYRICS / |r KARI BOYD MCBRIDE -- |t “FREEBORN JOY”: SEXUAL EXPRESSION AND POWER IN WILLIAM BLAKE’S VISIONS OF THE DAUGHTERS OF ALBION / |r LISA MARIE LIPIPIPATVONG -- |t OF MELANCHOLY AND MIMESIS: SOCIAL BOND(AGE)S IN VISIONS OF THE DAUGHTERS OF ALBION / |r NOWELL MARSHALL -- |t “HAPPY COPULATION”: REVOLUTIONARY SEXUALITY IN BLAKE AND SHELLEY / |r MONIKA LEE -- |t “BURSTING JOY’S GRAPE” IN KEATS’ ODES / |r DANIEL BRASS -- |t “IN THIS STRANG LABOURINTH HOW SHALL I TURNE?”: EROTIC SYMMETRY IN FOUR FEMALE SONNET SEQUENCES / |r C.C. BARFOOT -- |t CHRISTINA ROSSETTI’S “GOBLIN MARKET”: THE EROTICISM OF FEMALE MYSTICS / |r BRITTA ZANGEN -- |t “TO TAKE WERE TO PURLOIN”: SEXUALITY IN THE NARRATIVE POEMS OF CHRISTINA ROSSETTI / |r FAHRÏ ÖZ -- |t RENAISSANCE EROTIC IN THE POETRY OF JOHN ADDINGTON SYMONDS / |r J.D. BALLAM -- |t THE BRILLIANCE OF GAS-LIT EYES: ARTHUR SYMONS’ EROTIC AUTO-VOYEURISM OBSERVED / |r R. VAN BRONSWIJK -- |t THE EROTIC IN D.H. LAWRENCE’S EARLY POETRY / |r ANDREW HARRISON -- |t TRIANGULATION OF DESIRE IN H.D.’S HYMEN / |r NEPHIE J. CHRISTODOULIDES -- |t “SMILE, O VOLUPTUOUS COOL-BREATH’D EARTH”: EROTIC IMAGERY AND CONTEXT IN CONTEMPORARY RITUAL AUTHORSHIP / |r PEG ALOI -- |t TWO TONGUES IN ONE MOUTH: EROTIC ELEMENTS IN NUALA NÍ DHOMHNAILL’S IRISH POETRY AND ITS ENGLISH TRANSLATIONS / |r WIM TIGGES -- |t SEX IN THE “SICK, SICK, BODY POLITIC”: TONY HARRISON’S FRUIT / |r SANDIE BYRNE -- |t (UN)DRESSING BLACK NATIONALISM: NIKKI GIOVANNI’S (COUNTER)REVOLUTIONARY ETHICS / |r CHERYL ALEXANDER MALCOLM -- |t BIBLIO-EROTIC AND JEWISH EROTIC CONFIGURATIONS IN GEORGIA SCOTT’S THE PENNY BRIDE / |r WOLFGANG GÖRTSCHACHER -- |t NOTES ON CONTRIBUTORS / |r C.C. Barfoot -- |t INDEX I: SELECTED MOTIFS, TOPICS, THEMES / |r C.C. Barfoot -- |t INDEX II: AUTHORS, TEXTS AND PUBLICATIONS, SELECTED PROPER NAMES / |r C.C. Barfoot. |
| 520 | |a “And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instruments; the erotics of death and remembrance, are just a few of the initial themes that emerge from the twenty-five articles to be found in this volume, with many an invitation “to seize the day”. Reproduction, pregnancy, and fear; discredited and degraded libertines; the ventriloquism of sexual objects; the ease with which men are reduced to impotence by the carnality of women; orgasm and melancholy; erotic mysticism and religious sexuality; the potency and dangers of fruit and flowers; the delights of the recumbent male body and of dancing girls; the fertile ritual use of poetic texts; striptease and revolution; silent women reclaimed as active vessels, are amongst the many engaging topics that emerge out of the ongoing and entertaining scholarly discussion of sex and eroticism in English poetry. | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 650 | 0 | |a English literature |x Themes, motives. | |
| 650 | 0 | |a Sex in literature. | |
| 650 | 0 | |a Eroticism in literature. | |
| 650 | 0 | |a Sex role in literature. | |
| 650 | 0 | |a English poetry |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Erotic literature, English |x History and criticism. | |
| 653 | |a Sex In Literature | ||
| 653 | |a English Poetry | ||
| 653 | |a Sex Role In Literature | ||
| 653 | |a Erotic Literature | ||
| 653 | |a Literary Criticism | ||
| 700 | 1 | |a Barfoot, C. C. | |
| 776 | |z 90-420-2075-X | ||
| 776 | |z 90-420-2076-8 | ||
| 830 | 0 | |a DQR Studies in Literature |v 36. | |
| 906 | |a BOOK | ||
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