Making copies in European art 1400-1600 : : shifting tastes, modes of transmission, and changing contexts / / edited by Maddalena Bellavitis.

Making Copies in European Art 1400-1600 , edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and the...

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Bibliographic Details
Superior document:Brill's studies in intellectual history, v. 286
TeilnehmendeR:
Place / Publishing House:Leiden ;, Boston : : Brill,, 2018.
Year of Publication:2018
Language:English
Series:Brill's Studies in Intellectual History v. 286.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 30.
Physical Description:1 online resource (541 pages).
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Table of Contents:
  • Front Matter
  • Copyright page
  • Dedication
  • Acknowledgments
  • Illustrations
  • Notes on Contributors
  • Introduction / Peter M. Lukehart
  • Essays
  • Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Barbara von Barghahn
  • Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Encarna Montero Tortajada
  • Eyckian Icons and Copies / Larry Silver
  • Copies after the Ghent Altarpiece for Spain: Four Case Studies / Leslie Blacksberg
  • Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Maddalena Bellavitis
  • Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Irene Brooke
  • Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Catheline Périer-D'Ieteren
  • Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Mari Pietrogiovanna
  • Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Sarah Ferrari
  • Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / Claudia La Malfa
  • From Workshop Master to the Artist's Individuality / Ana Calvo
  • Jacopo Bassano and the Prints from Raphael's Masterpieces / Claudia Caramanna
  • Que se haga al modo y manera de [....]: Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Carmen Morte García
  • Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Caterina Virdis Limentani
  • Marketing Workshop Versions in the 17th-century Dutch Art Market / Angela Ho
  • Pictorial Copies in Granada during the Early Modern Age / David García Cueto
  • Coda.