Making copies in European art 1400-1600 : : shifting tastes, modes of transmission, and changing contexts / / edited by Maddalena Bellavitis.
Making Copies in European Art 1400-1600 , edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and the...
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Superior document: | Brill's studies in intellectual history, v. 286 |
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Place / Publishing House: | Leiden ;, Boston : : Brill,, 2018. |
Year of Publication: | 2018 |
Language: | English |
Series: | Brill's Studies in Intellectual History
v. 286. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 30. |
Physical Description: | 1 online resource (541 pages). |
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Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / edited by Maddalena Bellavitis. Leiden ; Boston : Brill, 2018. 1 online resource (541 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Brill's studies in intellectual history, 0920-8607 ; v. 286 Brill's studies on art, art history, and intellectual history ; v. 30 Includes bibliographical references and index. Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Notes on Contributors -- Introduction / Peter M. Lukehart -- Essays -- Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Barbara von Barghahn -- Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Encarna Montero Tortajada -- Eyckian Icons and Copies / Larry Silver -- Copies after the Ghent Altarpiece for Spain: Four Case Studies / Leslie Blacksberg -- Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Maddalena Bellavitis -- Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Irene Brooke -- Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Catheline Périer-D'Ieteren -- Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Mari Pietrogiovanna -- Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Sarah Ferrari -- Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / Claudia La Malfa -- From Workshop Master to the Artist's Individuality / Ana Calvo -- Jacopo Bassano and the Prints from Raphael's Masterpieces / Claudia Caramanna -- Que se haga al modo y manera de [....]: Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Carmen Morte García -- Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Caterina Virdis Limentani -- Marketing Workshop Versions in the 17th-century Dutch Art Market / Angela Ho -- Pictorial Copies in Granada during the Early Modern Age / David García Cueto -- Coda. Making Copies in European Art 1400-1600 , edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art , in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials. Description based on print version record and CIP data provided by publisher; resource not viewed. Painting, Renaissance. Pictures Copying. Art and society Europe History to 1500. Art and society Europe History 16th century. Bellavitis, Maddalena. Brill's Studies in Intellectual History v. 286. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 30. |
language |
English |
format |
eBook |
author2 |
Bellavitis, Maddalena. |
author_facet |
Bellavitis, Maddalena. |
author2_variant |
m b mb |
author2_role |
TeilnehmendeR |
author_sort |
Bellavitis, Maddalena. |
author_additional |
Peter M. Lukehart -- Barbara von Barghahn -- Encarna Montero Tortajada -- Larry Silver -- Leslie Blacksberg -- Maddalena Bellavitis -- Irene Brooke -- Catheline Périer-D'Ieteren -- Mari Pietrogiovanna -- Sarah Ferrari -- Claudia La Malfa -- Ana Calvo -- Claudia Caramanna -- Carmen Morte García -- Caterina Virdis Limentani -- Angela Ho -- David García Cueto -- |
title |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / |
spellingShingle |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / Brill's studies in intellectual history, Brill's studies on art, art history, and intellectual history ; Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Notes on Contributors -- Introduction / Essays -- Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Eyckian Icons and Copies / Copies after the Ghent Altarpiece for Spain: Four Case Studies / Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / From Workshop Master to the Artist's Individuality / Jacopo Bassano and the Prints from Raphael's Masterpieces / Que se haga al modo y manera de [....]: Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Marketing Workshop Versions in the 17th-century Dutch Art Market / Pictorial Copies in Granada during the Early Modern Age / Coda. |
title_sub |
shifting tastes, modes of transmission, and changing contexts / |
title_full |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / edited by Maddalena Bellavitis. |
title_fullStr |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / edited by Maddalena Bellavitis. |
title_full_unstemmed |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / edited by Maddalena Bellavitis. |
title_auth |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / |
title_alt |
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Notes on Contributors -- Introduction / Essays -- Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Eyckian Icons and Copies / Copies after the Ghent Altarpiece for Spain: Four Case Studies / Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / From Workshop Master to the Artist's Individuality / Jacopo Bassano and the Prints from Raphael's Masterpieces / Que se haga al modo y manera de [....]: Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Marketing Workshop Versions in the 17th-century Dutch Art Market / Pictorial Copies in Granada during the Early Modern Age / Coda. |
title_new |
Making copies in European art 1400-1600 : |
title_sort |
making copies in european art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / |
series |
Brill's studies in intellectual history, Brill's studies on art, art history, and intellectual history ; |
series2 |
Brill's studies in intellectual history, Brill's studies on art, art history, and intellectual history ; |
publisher |
Brill, |
publishDate |
2018 |
physical |
1 online resource (541 pages). |
contents |
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Notes on Contributors -- Introduction / Essays -- Jan van Eyck's Arnolfini Portrait and Copies after His Woman and Her Toilette: Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Eyckian Icons and Copies / Copies after the Ghent Altarpiece for Spain: Four Case Studies / Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / From Workshop Master to the Artist's Individuality / Jacopo Bassano and the Prints from Raphael's Masterpieces / Que se haga al modo y manera de [....]: Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Marketing Workshop Versions in the 17th-century Dutch Art Market / Pictorial Copies in Granada during the Early Modern Age / Coda. |
isbn |
90-04-37959-2 90-04-36089-1 |
issn |
0920-8607 ; |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND450 |
callnumber-sort |
ND 3450 M33 42018 |
geographic_facet |
Europe |
era_facet |
to 1500. 16th century. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.03094/09031 |
dewey-sort |
3759.03094 49031 |
dewey-raw |
759.03094/09031 |
dewey-search |
759.03094/09031 |
work_keys_str_mv |
AT bellavitismaddalena makingcopiesineuropeanart14001600shiftingtastesmodesoftransmissionandchangingcontexts |
status_str |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Brill's studies in intellectual history, v. 286 Brill's studies on art, art history, and intellectual history ; v. 30 |
hierarchy_sequence |
v. 286. v. 30. |
is_hierarchy_title |
Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / |
container_title |
Brill's studies in intellectual history, v. 286 |
author2_original_writing_str_mv |
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