Doubtful points : : Joyce and punctuation / / edited by Elizabeth M. Bonapfel and Tim Conley.
As unusual or esoteric as the subject might seem, Joyce’s punctuation offers a way to study and appreciate his stylistic innovations and the materiality of his textual productions. Joyce’s shunning of what he called “perverted commas” and the general absence of punctuation in Molly Bloom’s monologue...
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Superior document: | European Joyce Studies ; 23 |
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TeilnehmendeR: | |
Place / Publishing House: | Amsterdam, Netherlands ;, New York, New York : : Rodopi,, 2014. ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | European Joyce studies ;
23. |
Physical Description: | 1 online resource (221 p.) |
Notes: | Description based upon print version of record. |
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490 | 1 | |a European Joyce Studies ; |v 23 | |
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505 | 0 | 0 | |t Preliminary Material / |r Elizabeth M. Bonapfel and Tim Conley -- |t Introduction / |r Elizabeth M. Bonapfel and Tim Conley -- |t Errant Commas and Stray Parentheses / |r Fritz Senn -- |t espacement, the final frontier / |r Sam Slote -- |t In Between the Sheets: Sexy Punctuation in American Magazines / |r Amanda Sigler -- |t Marking Realism in Dubliners / |r Elizabeth M. Bonapfel -- |t The Poetics of the Unsaid: Joyce’s Use of Ellipsis between Meaning and Suspension / |r Annalisa Volpone -- |t “By Dot and Dash System”: Punctuation and the Void in “Ithaca” / |r Teresa Prudente -- |t “(hic sunt lennones!)”: Reading and Misreading the Wake’s “Signs of Suspicion” / |r Paul Fagan -- |t Fullstoppers and Fools Tops: The “Compunction” of Punctuation and Geometry in Finnegans Wake / |r Federico Sabatini -- |t Diacritic Aspirations and Servile Letters: Alphabets and National Identities in Joyce’s Europe / |r Tekla Mecsnóber -- |t Punctuated Equilibria and the Exdented Dash / |r Erik Bindervoet and Robbert-Jan Henkes -- |t “Tuck in your blank!”: Antiaposiopetic Joyce / |r Tim Conley -- |t Notes on Contributors / |r Elizabeth M. Bonapfel and Tim Conley. |
520 | |a As unusual or esoteric as the subject might seem, Joyce’s punctuation offers a way to study and appreciate his stylistic innovations and the materiality of his textual productions. Joyce’s shunning of what he called “perverted commas” and the general absence of punctuation in Molly Bloom’s monologue are only the most infamous instances of a deeply idiosyncratic and changeable use of punctuation. The essays collected in Doubtful Points: Joyce and Punctuation investigate ellipses, parentheses, commas, dashes, colons, semi-colons, full stops, and even diacritics to explore a surprising array of contingent subjects: Joyce’s working relationships with publishers; questions of editing and translation; hermeneutic and epistemological dilemmas and reading strategies; linguistic nationalisms; the ideological effects of regulated writing; and more. This book is sure to edify and intrigue “fullstoppers” and “semicolonials” alike. | ||
504 | |a Includes bibliographical references. | ||
588 | |a Description based on print version record. | ||
600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Criticism and interpretation. |
700 | 1 | |a Bonapfel, Elizabeth M., |e editor. | |
700 | 1 | |a Conley, Tim, |d 1972- |e editor. | |
776 | |z 90-420-3901-9 | ||
830 | 0 | |a European Joyce studies ; |v 23. | |
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