The madder stain : : a psychoanalytic reading of Thomas Hardy / / by Annie Ramel.

• Superior document: Contemporary Psychoanalytic Studies, Volume 21
• VerfasserIn: Ramel, Annie,
• Place / Publishing House: Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill/Rodopi,, 2015.; ©2015
• Année de publication: 2015
• Édition: 1st ed.
• Langue: English
• Collection: Contemporary psychoanalytic studies ; Volume 21.
• Description matérielle: 1 online resource (190 pages).

The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. Similar to Barthes’s punctum shooting out of the studium , the stain is a place where the Real erupts, a blind spot that eludes interpretation. In the diegesis of the tragic novels, it is a surplus object whose intrusion disrupts reality and spells disaster. This book attempts to approach that unknowable kernel of jouissance by using Lacan’s concepts of object-gaze and object-voice—sometimes revisited by Zizek. The stain has a vocal quality: it is silence audible. In a world where sound cannot reverberate for lack of a structural void, voice is by necessity muted, stuck in the throat. Hence the peculiar quality of Tess’s voice, a silent feminine cry that has retained something of the lost vocal object. The sound of silence is what Hardy’s poetic prose allows us to hear.

Table of Contents

Preliminary Material -- Introduction -- The Letter Killeth -- The Feminine: Reading Hardy after Lacan’s xxth Seminar -- The Logic of Desire -- The Object Gaze -- The Object-Voice -- Conclusion -- Bibliography -- Index of Names -- Index of Subjects.