The madder stain : : a psychoanalytic reading of Thomas Hardy / / by Annie Ramel.
The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. Similar to Barthes’s punctum shooting out of the studium , the stain is a place where the Real erupts, a blind spot that eludes interpretation. In the diegesis of the tragic novels, it is a...
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Superior document: | Contemporary Psychoanalytic Studies, Volume 21 |
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VerfasserIn: | |
Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill/Rodopi,, 2015. ©2015 |
Year of Publication: | 2015 |
Edition: | 1st ed. |
Language: | English |
Series: | Contemporary psychoanalytic studies ;
Volume 21. |
Physical Description: | 1 online resource (190 pages). |
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100 | 1 | |a Ramel, Annie, |e author. | |
245 | 1 | 4 | |a The madder stain : |b a psychoanalytic reading of Thomas Hardy / |c by Annie Ramel. |
250 | |a 1st ed. | ||
264 | 1 | |a Leiden, Netherlands ; |a Boston, [Massachusetts] : |b Brill/Rodopi, |c 2015. | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource (190 pages). | ||
336 | |a text |2 rdacontent | ||
337 | |a computer |2 rdamedia | ||
338 | |a online resource |2 rdacarrier | ||
490 | 1 | |a Contemporary Psychoanalytic Studies, |x 1571-4977 ; |v Volume 21 | |
520 | |a The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. Similar to Barthes’s punctum shooting out of the studium , the stain is a place where the Real erupts, a blind spot that eludes interpretation. In the diegesis of the tragic novels, it is a surplus object whose intrusion disrupts reality and spells disaster. This book attempts to approach that unknowable kernel of jouissance by using Lacan’s concepts of object-gaze and object-voice—sometimes revisited by Zizek. The stain has a vocal quality: it is silence audible. In a world where sound cannot reverberate for lack of a structural void, voice is by necessity muted, stuck in the throat. Hence the peculiar quality of Tess’s voice, a silent feminine cry that has retained something of the lost vocal object. The sound of silence is what Hardy’s poetic prose allows us to hear. | ||
505 | 0 | 0 | |a Preliminary Material -- Introduction -- The Letter Killeth -- The Feminine: Reading Hardy after Lacan’s xxth Seminar -- The Logic of Desire -- The Object Gaze -- The Object-Voice -- Conclusion -- Bibliography -- Index of Names -- Index of Subjects. |
504 | |a Includes bibliographical references and indexes. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Psychoanalysis and literature |z England |x History |y 19th century. | |
650 | 0 | |a Psychoanalysis and literature |z England |x History |y 20th century. | |
650 | 0 | |a Voice in literature. | |
650 | 0 | |a Psychology in literature. | |
600 | 1 | 0 | |a Hardy, Thomas, |d 1840-1928 |x Criticism and interpretation. |
776 | |z 90-04-29340-X | ||
830 | 0 | |a Contemporary psychoanalytic studies ; |v Volume 21. | |
906 | |a BOOK | ||
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