Dealing art on both sides of the Atlantic, 1860-1940 / / edited by Lynn Catterson.

Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and expert...

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Bibliographic Details
Superior document:Studies in the history of collecting & art markets ; v. 2
TeilnehmendeR:
Place / Publishing House:Boston : : Brill,, 2017.
Year of Publication:2017
Edition:1st ed.
Language:English
Series:Studies in the history of collecting & art markets ; v. 2.
Physical Description:1 online resource (338 pages) :; illustrations.
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245 0 0 |a Dealing art on both sides of the Atlantic, 1860-1940 /  |c edited by Lynn Catterson. 
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490 1 |a Studies in the history of collecting & art markets ;  |v v. 2 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
520 |a Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply−from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research. Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski. 
505 0 0 |t Preliminary Material --  |t Introduction /  |r Lynn Catterson --  |t The Many Hats of Mary Cassatt: Artist, Advisor, Broker, Tastemaker /  |r Laura D. Corey --  |t The Misses Williams in Salem and Rome /  |r Jacqueline Marie Musacchio --  |t “A Public-Spirited Merchant” /  |r Leanne Zalewski --  |t Dealing with Cubism: Daniel-Henry Kahnweiler’s Perilous Internationalism /  |r Fae Brauer --  |t Charles Mather Ffoulke and the Market for Tapestries in Late Nineteenth-Century America /  |r Denise M. Budd --  |t The Art Dealer and the Devil: Remarks on the Relationship of Elia Volpi and Wilhelm von Bode /  |r Patrizia Cappellini --  |t An Imaginary Italy on the Shores of Florida: Paul Chalfin, Vizcaya and the International Market for Italian Decorative Arts in 1910s /  |r Flaminia Gennari-Santori --  |t Selling French Modern Art on the American Market: César de Hauke as Agent of Jacques Seligmann and Company, 1925–1940 /  |r Sébastien Chauffour --  |t Stefano Bardini and C.F. Walker, His London Agent /  |r Annalea Tunesi --  |t Surrogates and Intermediaries: The Informational Role of Photographs in the Art Market /  |r Alexandra Provo --  |t A Lesson in Loopholes: Stefano Bardini, and the Export of the Botticelli Frescoes from Villa Lemmi /  |r Joanna Smalcerz --  |t List of Illustrations --  |t List of Contributors --  |t Index. 
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650 0 |a Art  |x Economic aspects  |x History  |z Europe  |y 20th century. 
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