Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / / by Rosemary A. Roberts.

Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990's onwards have termed its ‘erasure’ of gender and sexuality. In particular the strong heroines of the yangbanxi, or ‘model works’ which dominated the Cultural Revoluti...

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Superior document:Women and gender in China studies, v. 2
:
Year of Publication:2010
Language:English
Series:Women and gender in China studies ; v. 2.
Physical Description:1 online resource (312 p.)
Notes:Description based upon print version of record.
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spelling Roberts, Rosemary A.
Maoist model theatre [electronic resource] : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / by Rosemary A. Roberts.
Leiden [Netherlands] ; Boston : Brill, 2010.
1 online resource (312 p.)
text txt
computer c
online resource cr
Women and gender in China studies, 1877-5772 ; v. 2
Description based upon print version of record.
English
Preliminary Material / R. Roberts -- Chapter One. Introduction: Gender And The Model Works / R. Roberts -- Chapter Two. Role Assignment And Gender: Resetting The Paradigms / R. Roberts -- Chapter Three. Costume In The Yangbanxi: Gendering The Revolutionary Body / R. Roberts -- Chapter Four. Gender And The Kinesics Of Yangbanxi Ballet / R. Roberts -- Chapter Five. Feminising Leadership In Song Of The Dragon River / R. Roberts -- Chapter Six. The Yangbanxi Heroine And The Historical Tradition Of The Chinese Woman Warrior / R. Roberts -- Chapter Seven. Gendering The Counter-Revolution: The Feminisation Of Villainy / R. Roberts -- Chapter Eight. The Yangbanxi And Gender Identities In Post-Maoist China / R. Roberts -- Bibliography / R. Roberts -- Yangbanxi Filmography / R. Roberts -- Index / R. Roberts.
Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990's onwards have termed its ‘erasure’ of gender and sexuality. In particular the strong heroines of the yangbanxi, or ‘model works’ which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.
Includes bibliographical references, filmography and index.
Theater Political aspects China History 20th century.
Gender identity in the theater China.
Sex in the theater.
Women in the theater China.
Women and communism China.
Communism and sex China.
90-04-17744-2
Women and gender in China studies ; v. 2.
language English
format Electronic
eBook
author Roberts, Rosemary A.
spellingShingle Roberts, Rosemary A.
Maoist model theatre the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) /
Women and gender in China studies,
Preliminary Material /
Chapter One. Introduction: Gender And The Model Works /
Chapter Two. Role Assignment And Gender: Resetting The Paradigms /
Chapter Three. Costume In The Yangbanxi: Gendering The Revolutionary Body /
Chapter Four. Gender And The Kinesics Of Yangbanxi Ballet /
Chapter Five. Feminising Leadership In Song Of The Dragon River /
Chapter Six. The Yangbanxi Heroine And The Historical Tradition Of The Chinese Woman Warrior /
Chapter Seven. Gendering The Counter-Revolution: The Feminisation Of Villainy /
Chapter Eight. The Yangbanxi And Gender Identities In Post-Maoist China /
Bibliography /
Yangbanxi Filmography /
Index /
author_facet Roberts, Rosemary A.
author_variant r a r ra rar
author_sort Roberts, Rosemary A.
author_additional R. Roberts --
R. Roberts.
title Maoist model theatre the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) /
title_sub the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) /
title_full Maoist model theatre [electronic resource] : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / by Rosemary A. Roberts.
title_fullStr Maoist model theatre [electronic resource] : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / by Rosemary A. Roberts.
title_full_unstemmed Maoist model theatre [electronic resource] : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / by Rosemary A. Roberts.
title_auth Maoist model theatre the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) /
title_alt Preliminary Material /
Chapter One. Introduction: Gender And The Model Works /
Chapter Two. Role Assignment And Gender: Resetting The Paradigms /
Chapter Three. Costume In The Yangbanxi: Gendering The Revolutionary Body /
Chapter Four. Gender And The Kinesics Of Yangbanxi Ballet /
Chapter Five. Feminising Leadership In Song Of The Dragon River /
Chapter Six. The Yangbanxi Heroine And The Historical Tradition Of The Chinese Woman Warrior /
Chapter Seven. Gendering The Counter-Revolution: The Feminisation Of Villainy /
Chapter Eight. The Yangbanxi And Gender Identities In Post-Maoist China /
Bibliography /
Yangbanxi Filmography /
Index /
title_new Maoist model theatre
title_sort maoist model theatre the semiotics of gender and sexuality in the chinese cultural revolution (1966-1976) /
series Women and gender in China studies,
series2 Women and gender in China studies,
publisher Brill,
publishDate 2010
physical 1 online resource (312 p.)
contents Preliminary Material /
Chapter One. Introduction: Gender And The Model Works /
Chapter Two. Role Assignment And Gender: Resetting The Paradigms /
Chapter Three. Costume In The Yangbanxi: Gendering The Revolutionary Body /
Chapter Four. Gender And The Kinesics Of Yangbanxi Ballet /
Chapter Five. Feminising Leadership In Song Of The Dragon River /
Chapter Six. The Yangbanxi Heroine And The Historical Tradition Of The Chinese Woman Warrior /
Chapter Seven. Gendering The Counter-Revolution: The Feminisation Of Villainy /
Chapter Eight. The Yangbanxi And Gender Identities In Post-Maoist China /
Bibliography /
Yangbanxi Filmography /
Index /
isbn 1-282-94984-5
9786612949845
90-474-3088-3
90-04-17744-2
issn 1877-5772 ;
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN2874
callnumber-sort PN 42874 R63 42010
geographic_facet China
China.
era_facet 20th century.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 792 - Stage presentations
dewey-full 792.0951
dewey-sort 3792.0951
dewey-raw 792.0951
dewey-search 792.0951
oclc_num 695990304
427857579
work_keys_str_mv AT robertsrosemarya maoistmodeltheatrethesemioticsofgenderandsexualityinthechineseculturalrevolution19661976
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hierarchy_parent_title Women and gender in China studies, v. 2
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