Maoist model theatre : the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976) / / by Rosemary A. Roberts.
Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990's onwards have termed its ‘erasure’ of gender and sexuality. In particular the strong heroines of the yangbanxi, or ‘model works’ which dominated the Cultural Revoluti...
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| Superior document: | Women and gender in China studies, v. 2 |
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| : | |
| Year of Publication: | 2010 |
| Language: | English |
| Series: | Women and gender in China studies ;
v. 2. |
| Physical Description: | 1 online resource (312 p.) |
| Notes: | Description based upon print version of record. |
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Electronic
| EBA Brill All | Available |