Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli.
In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of lit...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press,, [2017] ©2018 |
Year of Publication: | 2018 2017 |
Language: | English |
Series: | Film theory in media history.
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Physical Description: | 1 online resource (301 pages). |
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(CKB)4100000004836055 (MiAaPQ)EBC5434334 (DE-B1597)513247 (OCoLC)1042322259 (DE-B1597)9789048537037 (OCoLC)1111612510 (MdBmJHUP)muse76485 (oapen)https://directory.doabooks.org/handle/20.500.12854/25922.2 (EXLCZ)994100000004836055 |
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Grosoli, Marco, author. Eric Rohmer's Film Theory (1948-1953) Marco Grosoli. Amsterdam University Press 2018 Amsterdam : Amsterdam University Press, [2017] ©2018 1 online resource (301 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Film theory in media history This eBook is made available Open Access under a CC BY-NC-ND 3.0 license: https://creativecommons.org/licenses/by-nc-nd/3.0https://www.aup.nl/en/publish/open-access In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. In English. Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names Description based on print version record. Auteur theory (Motion pictures) Rohmer, Éric, 1920-2010 Criticism and interpretation. Rohmer auteurs Sartre Kant criticism 94-6298-580-4 Film theory in media history. |
language |
English |
format |
eBook |
author |
Grosoli, Marco, |
spellingShingle |
Grosoli, Marco, Eric Rohmer's Film Theory (1948-1953) Film theory in media history Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names |
author_facet |
Grosoli, Marco, |
author_variant |
m g mg |
author_role |
VerfasserIn |
author_sort |
Grosoli, Marco, |
title |
Eric Rohmer's Film Theory (1948-1953) |
title_full |
Eric Rohmer's Film Theory (1948-1953) Marco Grosoli. |
title_fullStr |
Eric Rohmer's Film Theory (1948-1953) Marco Grosoli. |
title_full_unstemmed |
Eric Rohmer's Film Theory (1948-1953) Marco Grosoli. |
title_auth |
Eric Rohmer's Film Theory (1948-1953) |
title_alt |
Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names |
title_new |
Eric Rohmer's Film Theory (1948-1953) |
title_sort |
eric rohmer's film theory (1948-1953) |
series |
Film theory in media history |
series2 |
Film theory in media history |
publisher |
Amsterdam University Press Amsterdam University Press, |
publishDate |
2018 2017 |
physical |
1 online resource (301 pages). |
contents |
Frontmatter -- Table of contents -- Introduction -- 1. A Novelistic Art of Space -- 2. Alexandre Astruc: An Early but Decisive Influence -- 3. Under and On the Volcano: Rohmer's Conversion -- 4. The Art of Nature -- 5. Ethics at the Heart of Aesthetics -- 6. After Modernity: Rohmer's Classicism and Universalism -- Conclusion -- About the Author -- Index of Names |
isbn |
90-485-3703-7 94-6298-580-4 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 R64 G76 42018EB |
era_facet |
1920-2010 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/33092 |
dewey-sort |
3791.4302 533092 |
dewey-raw |
791.4302/33092 |
dewey-search |
791.4302/33092 |
oclc_num |
1042322259 1111612510 |
work_keys_str_mv |
AT grosolimarco ericrohmersfilmtheory19481953 |
status_str |
c |
ids_txt_mv |
(CKB)4100000004836055 (MiAaPQ)EBC5434334 (DE-B1597)513247 (OCoLC)1042322259 (DE-B1597)9789048537037 (OCoLC)1111612510 (MdBmJHUP)muse76485 (oapen)https://directory.doabooks.org/handle/20.500.12854/25922.2 (EXLCZ)994100000004836055 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Eric Rohmer's Film Theory (1948-1953) |
_version_ |
1796652572601221120 |
fullrecord |
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