Eric Rohmer's Film Theory (1948-1953) / Marco Grosoli.
In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of lit...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press,, [2017] ©2018 |
Year of Publication: | 2018 2017 |
Language: | English |
Series: | Film theory in media history.
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Physical Description: | 1 online resource (301 pages). |
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245 | 1 | 0 | |a Eric Rohmer's Film Theory (1948-1953) |c Marco Grosoli. |
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490 | 0 | |a Film theory in media history | |
540 | |a This eBook is made available Open Access under a CC BY-NC-ND 3.0 license: |u https://creativecommons.org/licenses/by-nc-nd/3.0https://www.aup.nl/en/publish/open-access | ||
520 | |a In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. | ||
546 | |a In English. | ||
505 | 0 | 0 | |t Frontmatter -- |t Table of contents -- |t Introduction -- |t 1. A Novelistic Art of Space -- |t 2. Alexandre Astruc: An Early but Decisive Influence -- |t 3. Under and On the Volcano: Rohmer's Conversion -- |t 4. The Art of Nature -- |t 5. Ethics at the Heart of Aesthetics -- |t 6. After Modernity: Rohmer's Classicism and Universalism -- |t Conclusion -- |t About the Author -- |t Index of Names |
588 | |a Description based on print version record. | ||
650 | 0 | |a Auteur theory (Motion pictures) | |
600 | 1 | 1 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
653 | |a Rohmer | ||
653 | |a auteurs | ||
653 | |a Sartre | ||
653 | |a Kant | ||
653 | |a criticism | ||
776 | |z 94-6298-580-4 | ||
830 | 0 | |a Film theory in media history. | |
906 | |a BOOK | ||
ADM | |b 2023-08-03 02:59:30 Europe/Vienna |f system |c marc21 |a 2018-07-11 07:04:39 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5341790860004498&Force_direct=true |Z 5341790860004498 |b Available |8 5341790860004498 |