Tonality as drama : : closure and interruption in four twentieth-century American operas / / Edward D. Latham.
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
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| Year of Publication: | 2008 |
| Edition: | 1st ed. |
| Language: | English |
| Physical Description: | 1 online resource (238 p.) |
| Notes: | Description based upon print version of record. |
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(CKB)2560000000012938 (EBL)517531 (OCoLC)745977024 (SSID)ssj0000429826 (PQKBManifestationID)11274531 (PQKBTitleCode)TC0000429826 (PQKBWorkID)10452162 (PQKB)11100195 (MiAaPQ)EBC517531 (OCoLC)621699410 (MdBmJHUP)muse6886 (Au-PeEL)EBL517531 (CaPaEBR)ebr10383995 (CaONFJC)MIL255548 (ScCtBLL)b17a363f-4483-4cfc-87f2-a1358003f35e (oapen)https://directory.doabooks.org/handle/20.500.12854/29470 (EXLCZ)992560000000012938 |
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Latham, Edward David. Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham. 1st ed. Denton, Tex. : University of North Texas Press, c2008. 1 online resource (238 p.) text txt computer c online resource cr Description based upon print version of record. Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres? English Description based on print version record. CC BY-NC-ND Knowledge Unlatched Unrestricted online access star Includes bibliographical references (p. 193-210) and index. Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). Operas Analysis, appreciation. Opera United States 20th century. Joplin, Scott, 1868-1917. Treemonisha. Weill, Kurt, 1900-1950. Street scene. Gershwin, George, 1898-1937. Porgy and Bess. Copland, Aaron, 1900-1990. Tender land. 1-57441-249-3 |
| language |
English |
| format |
eBook |
| author |
Latham, Edward David. |
| spellingShingle |
Latham, Edward David. Tonality as drama : closure and interruption in four twentieth-century American operas / Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). |
| author_facet |
Latham, Edward David. |
| author_variant |
e d l ed edl |
| author_sort |
Latham, Edward David. |
| title |
Tonality as drama : closure and interruption in four twentieth-century American operas / |
| title_sub |
closure and interruption in four twentieth-century American operas / |
| title_full |
Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_fullStr |
Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_full_unstemmed |
Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham. |
| title_auth |
Tonality as drama : closure and interruption in four twentieth-century American operas / |
| title_new |
Tonality as drama : |
| title_sort |
tonality as drama : closure and interruption in four twentieth-century american operas / |
| publisher |
University of North Texas Press, |
| publishDate |
2008 |
| physical |
1 online resource (238 p.) |
| edition |
1st ed. |
| contents |
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). |
| isbn |
1-282-55548-0 9786612555480 1-57441-371-6 1-4416-4620-5 1-57441-249-3 |
| callnumber-first |
M - Music |
| callnumber-subject |
MT - Instruction and Study |
| callnumber-label |
MT95 |
| callnumber-sort |
MT 295 L37 42008 |
| geographic_facet |
United States |
| era_facet |
1868-1917. 1900-1950. 1898-1937. 1900-1990. 20th century. |
| illustrated |
Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
780 - Music |
| dewey-ones |
782 - Vocal music |
| dewey-full |
782.10973 |
| dewey-sort |
3782.10973 |
| dewey-raw |
782.10973 |
| dewey-search |
782.10973 |
| oclc_num |
745977024 621699410 |
| work_keys_str_mv |
AT lathamedwarddavid tonalityasdramaclosureandinterruptioninfourtwentiethcenturyamericanoperas |
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n |
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Tonality as drama : closure and interruption in four twentieth-century American operas / |
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