Tonality as drama : : closure and interruption in four twentieth-century American operas / / Edward D. Latham.
Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres?
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Year of Publication: | 2008 |
Edition: | 1st ed. |
Language: | English |
Physical Description: | 1 online resource (238 p.) |
Notes: | Description based upon print version of record. |
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050 | 4 | |a MT95 |b .L37 2008 | |
082 | 0 | |a 782.10973 |2 22 | |
100 | 1 | |a Latham, Edward David. | |
245 | 1 | 0 | |a Tonality as drama : |b closure and interruption in four twentieth-century American operas / |c Edward D. Latham. |
250 | |a 1st ed. | ||
260 | |a Denton, Tex. : |b University of North Texas Press, |c c2008. | ||
260 | |a Denton, Tex. : |b University of North Texas Press, |c c2008. | ||
300 | |a 1 online resource (238 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
500 | |a Description based upon print version of record. | ||
520 | |a Drawing on the fields of dramaturgy, music theory, and historical musicology, this book answers a question about twentieth-century music: Why does tonality persist in opera, even after it has been abandoned in other genres? | ||
546 | |a English | ||
588 | |a Description based on print version record. | ||
540 | |f CC BY-NC-ND | ||
536 | |a Knowledge Unlatched | ||
506 | 0 | |f Unrestricted online access |2 star | |
504 | |a Includes bibliographical references (p. 193-210) and index. | ||
505 | 0 | |a Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954). | |
650 | 0 | |a Operas |x Analysis, appreciation. | |
650 | 0 | |a Opera |z United States |y 20th century. | |
600 | 1 | 0 | |a Joplin, Scott, |d 1868-1917. |t Treemonisha. |
600 | 1 | 0 | |a Weill, Kurt, |d 1900-1950. |t Street scene. |
600 | 1 | 0 | |a Gershwin, George, |d 1898-1937. |t Porgy and Bess. |
600 | 1 | 0 | |a Copland, Aaron, |d 1900-1990. |t Tender land. |
776 | |z 1-57441-249-3 | ||
906 | |a BOOK | ||
ADM | |b 2024-08-03 22:26:37 Europe/Vienna |f system |c marc21 |a 2012-02-26 01:15:25 Europe/Vienna |g false | ||
AVE | |i DOAB Directory of Open Access Books |P DOAB Directory of Open Access Books |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5338639860004498&Force_direct=true |Z 5338639860004498 |b Available |8 5338639860004498 |