Hiding making, showing creation : : the studio from Turner to Tacita Dean / / edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann.

The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationshi...

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Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2013.
Year of Publication:2013
Edition:1st ed.
Language:English
Physical Description:1 online resource (262 pages) :; digital, PDF file(s).
Notes:Title from publisher's bibliographic system (viewed on 14 Dec 2020).
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245 0 0 |a Hiding making, showing creation :  |b the studio from Turner to Tacita Dean /  |c edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann. 
250 |a 1st ed. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2013. 
300 |a 1 online resource (262 pages) :  |b digital, PDF file(s). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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546 |a English 
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504 |a Includes bibliographical references and index. 
500 |a Title from publisher's bibliographic system (viewed on 14 Dec 2020). 
505 0 0 |t Introduction /  |r Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann --  |g PART I:  |t Introduction: Old and New Studio Topoi in the Nineteenth Century /  |r Sandra Kisters --  |t Studio Matters: Materials, Instruments and Artistic Processes /  |r Monika Wagner --  |t Jean-Léon Gérôme, His Badger and His Studio /  |r Matthias Krüger --  |t Showing Making in Courbet's The Painter's Studio /  |r Petra ten-Doesschate Chu --  |t Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting /  |r Terry van Druten --  |t 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau /  |r Maar ten Liefooghe --  |t Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century /  |r Mayken Jonkman --  |g PART II:  |t Introduction: Forms and Functions of the Studio from the Twentieth Century to Today /  |r Rachel Esner --  |t Studio as Mediator /  |r Frank Reijnders --  |t Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings /  |r Matthias Noe ll --  |t Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) /  |r Beatrice von Bismarck --  |t Empty Studio: Bruce Nauman's Studio Films /  |r Eric de Bruyn --  |t Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur /  |r Wouter Davidts --  |t Staging the Studio: Enacting Artful Realities through Digital Photography /  |r Sarah de Rijcke --  |t Epilogue: "Good Art Theory Must Smell of the Studio" /  |r Ann-Sophie Lehmann. 
520 |a The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present. 
650 0 |a Artists' studios. 
650 0 |a Artists' studios in art. 
650 0 |a Creation (Literary, artistic, etc.) 
600 1 0 |a Turner, J. M. W.  |q (Joseph Mallord William),  |d 1775-1851. 
600 1 0 |a Dean, Tacita,  |d 1965- 
776 |z 90-8964-507-1 
700 1 |a Esner, Rachel,  |e editor. 
700 1 |a Kisters, Sandra,  |e editor. 
700 1 |a Lehmann, Ann-Sophie,  |d 1969-  |e editor. 
906 |a BOOK 
ADM |b 2024-06-06 00:39:50 Europe/Vienna  |f system  |c marc21  |a 2013-09-07 19:12:41 Europe/Vienna  |g false 
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