Hiding making, showing creation : : the studio from Turner to Tacita Dean / / edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann.

• TeilnehmendeR: Esner, Rachel,; Kisters, Sandra,; Lehmann, Ann-Sophie, 1969-
• Place / Publishing House: Amsterdam : : Amsterdam University Press,, 2013.
• Year of Publication: 2013
• Edition: 1st ed.
• Language: English
• Physical Description: 1 online resource (262 pages) :; digital, PDF file(s).
• Notes: Title from publisher's bibliographic system (viewed on 14 Dec 2020).
• Other title: Introduction /; Introduction: Old and New Studio Topoi in the Nineteenth Century /; Studio Matters: Materials, Instruments and Artistic Processes /; Jean-Léon Gérôme, His Badger and His Studio /; Showing Making in Courbet's The Painter's Studio /; Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting /; 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau /; Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century /; Introduction: Forms and Functions of the Studio from the Twentieth Century to Today /; Studio as Mediator /; Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings /; Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) /; Empty Studio: Bruce Nauman's Studio Films /; Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur /; Staging the Studio: Enacting Artful Realities through Digital Photography /; Epilogue: "Good Art Theory Must Smell of the Studio" /
• Bibliography: Includes bibliographical references and index.
• ISBN: 9048518245
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann.

The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.