Aesthetics and subjectivity : : from Kant to Nietzsche / / Andrew Bowie.
Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.
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| Place / Publishing House: | Manchester, UK : : Manchester University Press,, 2003. |
| Year of Publication: | 2003 |
| Edition: | Second edition, completely re-written and updated. |
| Language: | English |
| Physical Description: | 1 online resource (354 pages) :; digital file(s). |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- Preface to the second edition
- Introduction
- 1. Modern philosophy and the emergence of aesthetic theory: Kant
- 2. German Idealism and early German Romanticism
- 3. Reflections on the subject: Fichte, Hölderlin and Novalis
- 4. Schelling: art as the 'organ of philosophy'
- 5. Hegel: the beginning of aesthetic theory and the end of art
- 6. Schleiermacher: art and interpretation
- 7. Music, language and literature
- 8. Nietzsche and the fate of Romantic thought
- Conclusion
- Appendix: The so-called 'Oldest system programme of German idealism' (1796)
- References
- Index.