Aesthetics and subjectivity : : from Kant to Nietzsche /

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Aesthetics and subjectivity : : from Kant to Nietzsche / / Andrew Bowie.

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Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.

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Bowie, Andrew, 1952-
Year of Publication:2003
Edition:2nd ed., completely re-written and updated.
Language:English
Physical Description:1 online resource (354 pages) :; digital file(s).
Notes:Description based upon print version of record.
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spelling Bowie, Andrew, 1952-
Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie.
2nd ed., completely re-written and updated.
Manchester, UK ; New York : Manchester University Press, 2003.
1 online resource (354 pages) : digital file(s).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file rda
Description based upon print version of record.
Open access Unrestricted online access star
Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index.
Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.
Also available in print form.
English
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy
Includes bibliographical references (p. [336]-341) and index.
Aesthetics, German 18th century.
Aesthetics, German 19th century.
Aesthetics, Modern 18th century.
Aesthetics, Modern 19th century.
Subjectivity.
0-7190-2445-5
0-7190-5738-8
language English
format eBook
author Bowie, Andrew, 1952-
spellingShingle Bowie, Andrew, 1952-
Aesthetics and subjectivity : from Kant to Nietzsche /
Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index.
author_facet Bowie, Andrew, 1952-
author_variant a b ab
author_sort Bowie, Andrew, 1952-
title Aesthetics and subjectivity : from Kant to Nietzsche /
title_sub from Kant to Nietzsche /
title_full Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie.
title_fullStr Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie.
title_full_unstemmed Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie.
title_auth Aesthetics and subjectivity : from Kant to Nietzsche /
title_new Aesthetics and subjectivity :
title_sort aesthetics and subjectivity : from kant to nietzsche /
publisher Manchester University Press,
publishDate 2003
physical 1 online resource (354 pages) : digital file(s).
Also available in print form.
edition 2nd ed., completely re-written and updated.
contents Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index.
isbn 1-84779-512-9
0-7190-5784-1
1-5261-3723-2
1-84779-033-X
1-280-73392-6
9786610733927
1-4175-7799-1
0-7190-2445-5
0-7190-5738-8
callnumber-first B - Philosophy, Psychology, Religion
callnumber-subject BH - Aesthetics
callnumber-label BH221
callnumber-sort BH 3221 G33 B68 42003
era_facet 18th century.
19th century.
illustrated Not Illustrated
dewey-hundreds 100 - Philosophy & psychology
dewey-tens 110 - Metaphysics
dewey-ones 111 - Ontology
dewey-full 111/.85/094309033
dewey-sort 3111 285 894309033
dewey-raw 111/.85/094309033
dewey-search 111/.85/094309033
oclc_num 191925978
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