Aesthetics and subjectivity : : from Kant to Nietzsche / / Andrew Bowie.
Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.
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Year of Publication: | 2003 |
Edition: | 2nd ed., completely re-written and updated. |
Language: | English |
Physical Description: | 1 online resource (354 pages) :; digital file(s). |
Notes: | Description based upon print version of record. |
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Bowie, Andrew, 1952- Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie. 2nd ed., completely re-written and updated. Manchester, UK ; New York : Manchester University Press, 2003. 1 online resource (354 pages) : digital file(s). text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rda Description based upon print version of record. Open access Unrestricted online access star Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche. Also available in print form. English This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 https://www.degruyter.com/dg/page/open-access-policy Includes bibliographical references (p. [336]-341) and index. Aesthetics, German 18th century. Aesthetics, German 19th century. Aesthetics, Modern 18th century. Aesthetics, Modern 19th century. Subjectivity. 0-7190-2445-5 0-7190-5738-8 |
language |
English |
format |
eBook |
author |
Bowie, Andrew, 1952- |
spellingShingle |
Bowie, Andrew, 1952- Aesthetics and subjectivity : from Kant to Nietzsche / Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. |
author_facet |
Bowie, Andrew, 1952- |
author_variant |
a b ab |
author_sort |
Bowie, Andrew, 1952- |
title |
Aesthetics and subjectivity : from Kant to Nietzsche / |
title_sub |
from Kant to Nietzsche / |
title_full |
Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie. |
title_fullStr |
Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie. |
title_full_unstemmed |
Aesthetics and subjectivity : from Kant to Nietzsche / Andrew Bowie. |
title_auth |
Aesthetics and subjectivity : from Kant to Nietzsche / |
title_new |
Aesthetics and subjectivity : |
title_sort |
aesthetics and subjectivity : from kant to nietzsche / |
publisher |
Manchester University Press, |
publishDate |
2003 |
physical |
1 online resource (354 pages) : digital file(s). Also available in print form. |
edition |
2nd ed., completely re-written and updated. |
contents |
Preface to the second edition --Introduction --1. Modern philosophy and the emergence of aesthetic theory: Kant --2. German Idealism and early German Romanticism --3. Reflections on the subject: Fichte, Hölderlin and Novalis --4. Schelling: art as the 'organ of philosophy' --5. Hegel: the beginning of aesthetic theory and the end of art --6. Schleiermacher: art and interpretation --7. Music, language and literature --8. Nietzsche and the fate of Romantic thought --Conclusion --Appendix: The so-called 'Oldest system programme of German idealism' (1796) --References --Index. |
isbn |
1-84779-512-9 0-7190-5784-1 1-5261-3723-2 1-84779-033-X 1-280-73392-6 9786610733927 1-4175-7799-1 0-7190-2445-5 0-7190-5738-8 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BH - Aesthetics |
callnumber-label |
BH221 |
callnumber-sort |
BH 3221 G33 B68 42003 |
era_facet |
18th century. 19th century. |
illustrated |
Not Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
110 - Metaphysics |
dewey-ones |
111 - Ontology |
dewey-full |
111/.85/094309033 |
dewey-sort |
3111 285 894309033 |
dewey-raw |
111/.85/094309033 |
dewey-search |
111/.85/094309033 |
oclc_num |
191925978 |
work_keys_str_mv |
AT bowieandrew aestheticsandsubjectivityfromkanttonietzsche |
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Aesthetics and subjectivity : from Kant to Nietzsche / |
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