In die Stille geleiten : Darstellungsprinzipien und Erfahrungsweisen eines musikalischen Grundphänomens
We perceive silence in music essentially when its time seems to stand still: for example, immediately before the beginning of a work. Silence dwells there outside the sounding music; John Cage forced it into a work in 1952. Inaudible because continuously silent, 4'33'' blurs the bound...
Saved in:
Superior document: | Tübinger Beiträge zur Musikwissenschaft 34 |
---|---|
: | |
Year of Publication: | 2022 |
Language: | German |
Series: | Tübinger Beiträge zur Musikwissenschaft
34 |
Physical Description: | 1 electronic resource (218 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Search Result 1
Participants:
Kurze, Fabian [ ]
Published: 2022
Superior document: Tübinger Beiträge zur Musikwissenschaft 34
Published: 2022
Superior document: Tübinger Beiträge zur Musikwissenschaft 34