In die Stille geleiten : Darstellungsprinzipien und Erfahrungsweisen eines musikalischen Grundphänomens
We perceive silence in music essentially when its time seems to stand still: for example, immediately before the beginning of a work. Silence dwells there outside the sounding music; John Cage forced it into a work in 1952. Inaudible because continuously silent, 4'33'' blurs the bound...
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| Superior document: | Tübinger Beiträge zur Musikwissenschaft 34 |
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| Year of Publication: | 2022 |
| Language: | German |
| Series: | Tübinger Beiträge zur Musikwissenschaft
34 |
| Physical Description: | 1 electronic resource (218 p.) |
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Electronic
| DOAB Directory of Open Access Books | Available |