The Red Years of Cahiers du cinéma (1968-1973) : : Volume I, Ideology and Politics / / Daniel Fairfax.
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinema' embarked on a militant turn that would govern the journal's work over the next five yea...
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| Superior document: | Film Culture in Transition |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press,, [2021] ©2021 |
| Year of Publication: | 2021 |
| Edition: | First edition. |
| Language: | English |
| Series: | Film culture in transition
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| Physical Description: | 1 online resource (414 pages) |
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Table of Contents:
- Frontmatter
- Table of Contents
- Acknowledgements
- A Note on Translations
- Introduction
- Part I. Theories of Ideology
- Introduction
- 1. "Cinéma/Idéologie/Critique": An Epistemological Break?
- 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives
- 3. Décalages: "Young Mr. Lincoln de John Ford"
- 3. Décalages: "Young Mr. Lincoln de John Ford"
- 5. "Technique et Idéologie" by Jean-Louis Comolli
- 6. Afterlives of the Apparatus
- Part II. Engagements with Politics
- Introduction
- 7. The Radicalization of Cahiers: 1963-1969
- 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971
- 9. Cahiers du cinéma's Turn to Maoism: 1971-1973
- 10. Cahiers du cinéma and Jean-Luc Godard
- 11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981
- 12. Bernard Eisenschitz: Cinema, Communism and History
- 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema