The Red Years of Cahiers du cinéma (1968-1973) : : Volume I, Ideology and Politics / / Daniel Fairfax.

The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinema' embarked on a militant turn that would govern the journal's work over the next five yea...

Full description

Saved in:
Bibliographic Details
Superior document:Film Culture in Transition
VerfasserIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, [2021]
©2021
Year of Publication:2021
Edition:First edition.
Language:English
Series:Film culture in transition
Physical Description:1 online resource (414 pages)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993544959104498
ctrlnum (CKB)5590000000629623
(DE-B1597)583235
(DE-B1597)9789048543908
(OCoLC)1342915038
(MdBmJHUP)musev2_97604
(oapen)https://directory.doabooks.org/handle/20.500.12854/72628
(MiAaPQ)EBC30407369
(Au-PeEL)EBL30407369
(EXLCZ)995590000000629623
collection bib_alma
record_format marc
spelling Fairfax, Daniel, author. aut http://id.loc.gov/vocabulary/relators/aut
The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics / Daniel Fairfax.
First edition.
Amsterdam : Amsterdam University Press, [2021]
©2021
1 online resource (414 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Film Culture in Transition
Description based on online resource; title from PDF title page (publisher's Web site, viewed 17. Dez 2021)
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
In English.
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinema' embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of 'Cahiers du cinema' produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. 00'The Red Years of Cahiers du Cinema (1968-1973)' gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
Frontmatter -- Table of Contents -- Acknowledgements -- A Note on Translations -- Introduction -- Part I. Theories of Ideology -- Introduction -- 1. "Cinéma/Idéologie/Critique": An Epistemological Break? -- 2. Jean-Louis Comolli and Jean Narboni: Crossed Lives -- 3. Décalages: "Young Mr. Lincoln de John Ford" -- 3. Décalages: "Young Mr. Lincoln de John Ford" -- 5. "Technique et Idéologie" by Jean-Louis Comolli -- 6. Afterlives of the Apparatus -- Part II. Engagements with Politics -- Introduction -- 7. The Radicalization of Cahiers: 1963-1969 -- 8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 -- 9. Cahiers du cinéma's Turn to Maoism: 1971-1973 -- 10. Cahiers du cinéma and Jean-Luc Godard -- 11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 -- 12. Bernard Eisenschitz: Cinema, Communism and History -- 13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema
Motion pictures France Periodicals.
Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema.
Cahiers du cinema.
94-6372-101-0
Film culture in transition
language English
format eBook
author Fairfax, Daniel,
Fairfax, Daniel,
spellingShingle Fairfax, Daniel,
Fairfax, Daniel,
The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics /
Film Culture in Transition
Frontmatter --
Table of Contents --
Acknowledgements --
A Note on Translations --
Introduction --
Part I. Theories of Ideology --
1. "Cinéma/Idéologie/Critique": An Epistemological Break? --
2. Jean-Louis Comolli and Jean Narboni: Crossed Lives --
3. Décalages: "Young Mr. Lincoln de John Ford" --
5. "Technique et Idéologie" by Jean-Louis Comolli --
6. Afterlives of the Apparatus --
Part II. Engagements with Politics --
7. The Radicalization of Cahiers: 1963-1969 --
8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 --
9. Cahiers du cinéma's Turn to Maoism: 1971-1973 --
10. Cahiers du cinéma and Jean-Luc Godard --
11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 --
12. Bernard Eisenschitz: Cinema, Communism and History --
13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema
author_facet Fairfax, Daniel,
Fairfax, Daniel,
author_variant d f df
d f df
author_role VerfasserIn
VerfasserIn
author_sort Fairfax, Daniel,
title The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics /
title_sub Volume I, Ideology and Politics /
title_full The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics / Daniel Fairfax.
title_fullStr The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics / Daniel Fairfax.
title_full_unstemmed The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics / Daniel Fairfax.
title_auth The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics /
title_alt Frontmatter --
Table of Contents --
Acknowledgements --
A Note on Translations --
Introduction --
Part I. Theories of Ideology --
1. "Cinéma/Idéologie/Critique": An Epistemological Break? --
2. Jean-Louis Comolli and Jean Narboni: Crossed Lives --
3. Décalages: "Young Mr. Lincoln de John Ford" --
5. "Technique et Idéologie" by Jean-Louis Comolli --
6. Afterlives of the Apparatus --
Part II. Engagements with Politics --
7. The Radicalization of Cahiers: 1963-1969 --
8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 --
9. Cahiers du cinéma's Turn to Maoism: 1971-1973 --
10. Cahiers du cinéma and Jean-Luc Godard --
11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 --
12. Bernard Eisenschitz: Cinema, Communism and History --
13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema
title_new The Red Years of Cahiers du cinéma (1968-1973) :
title_sort the red years of cahiers du cinéma (1968-1973) : volume i, ideology and politics /
series Film Culture in Transition
series2 Film Culture in Transition
publisher Amsterdam University Press,
publishDate 2021
physical 1 online resource (414 pages)
edition First edition.
contents Frontmatter --
Table of Contents --
Acknowledgements --
A Note on Translations --
Introduction --
Part I. Theories of Ideology --
1. "Cinéma/Idéologie/Critique": An Epistemological Break? --
2. Jean-Louis Comolli and Jean Narboni: Crossed Lives --
3. Décalages: "Young Mr. Lincoln de John Ford" --
5. "Technique et Idéologie" by Jean-Louis Comolli --
6. Afterlives of the Apparatus --
Part II. Engagements with Politics --
7. The Radicalization of Cahiers: 1963-1969 --
8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 --
9. Cahiers du cinéma's Turn to Maoism: 1971-1973 --
10. Cahiers du cinéma and Jean-Luc Godard --
11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 --
12. Bernard Eisenschitz: Cinema, Communism and History --
13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema
isbn 94-6372-850-3
90-485-4390-8
94-6372-101-0
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993 C25
geographic_facet France
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430509
dewey-sort 3791.430509
dewey-raw 791.430509
dewey-search 791.430509
oclc_num 1342915038
work_keys_str_mv AT fairfaxdaniel theredyearsofcahiersducinema19681973volumeiideologyandpolitics
AT fairfaxdaniel redyearsofcahiersducinema19681973volumeiideologyandpolitics
status_str n
ids_txt_mv (CKB)5590000000629623
(DE-B1597)583235
(DE-B1597)9789048543908
(OCoLC)1342915038
(MdBmJHUP)musev2_97604
(oapen)https://directory.doabooks.org/handle/20.500.12854/72628
(MiAaPQ)EBC30407369
(Au-PeEL)EBL30407369
(EXLCZ)995590000000629623
carrierType_str_mv cr
hierarchy_parent_title Film Culture in Transition
is_hierarchy_title The Red Years of Cahiers du cinéma (1968-1973) : Volume I, Ideology and Politics /
container_title Film Culture in Transition
_version_ 1802076862629806080
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04013nam a22005415i 4500</leader><controlfield tag="001">993544959104498</controlfield><controlfield tag="005">20231005201831.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr#||#||||||||</controlfield><controlfield tag="008">211217t20212021ne fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">94-6372-850-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-485-4390-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048543908</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)5590000000629623</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)583235</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)9789048543908</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1342915038</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MdBmJHUP)musev2_97604</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(oapen)https://directory.doabooks.org/handle/20.500.12854/72628</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC30407369</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL30407369</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)995590000000629623</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">ne</subfield><subfield code="c">NL</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.C25</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS054000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.430509</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fairfax, Daniel,</subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Red Years of Cahiers du cinéma (1968-1973) :</subfield><subfield code="b">Volume I, Ideology and Politics /</subfield><subfield code="c">Daniel Fairfax.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (414 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Film Culture in Transition</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 17. Dez 2021)</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:</subfield><subfield code="u">https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, 'Cahiers du cinema' embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of 'Cahiers du cinema' produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. 00'The Red Years of Cahiers du Cinema (1968-1973)' gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="t">Table of Contents --</subfield><subfield code="t">Acknowledgements --</subfield><subfield code="t">A Note on Translations --</subfield><subfield code="t">Introduction --</subfield><subfield code="t">Part I. Theories of Ideology --</subfield><subfield code="t">Introduction --</subfield><subfield code="t">1. "Cinéma/Idéologie/Critique": An Epistemological Break? --</subfield><subfield code="t">2. Jean-Louis Comolli and Jean Narboni: Crossed Lives --</subfield><subfield code="t">3. Décalages: "Young Mr. Lincoln de John Ford" --</subfield><subfield code="t">3. Décalages: "Young Mr. Lincoln de John Ford" --</subfield><subfield code="t">5. "Technique et Idéologie" by Jean-Louis Comolli --</subfield><subfield code="t">6. Afterlives of the Apparatus --</subfield><subfield code="t">Part II. Engagements with Politics --</subfield><subfield code="t">Introduction --</subfield><subfield code="t">7. The Radicalization of Cahiers: 1963-1969 --</subfield><subfield code="t">8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971 --</subfield><subfield code="t">9. Cahiers du cinéma's Turn to Maoism: 1971-1973 --</subfield><subfield code="t">10. Cahiers du cinéma and Jean-Luc Godard --</subfield><subfield code="t">11. Cahiers du cinéma in the "Postgauchiste" Era: 1973-1981 --</subfield><subfield code="t">12. Bernard Eisenschitz: Cinema, Communism and History --</subfield><subfield code="t">13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">France</subfield><subfield code="x">Periodicals.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema.</subfield></datafield><datafield tag="630" ind1="0" ind2="0"><subfield code="a">Cahiers du cinema.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">94-6372-101-0</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Film culture in transition</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-01-16 02:14:18 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2021-11-06 21:41:15 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">DOAB Directory of Open Access Books</subfield><subfield code="P">DOAB Directory of Open Access Books</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5350506630004498&amp;Force_direct=true</subfield><subfield code="Z">5350506630004498</subfield><subfield code="b">Available</subfield><subfield code="8">5350506630004498</subfield></datafield></record></collection>