Popular music and public diplomacy : : transnational and transdisciplinary perspectives /

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In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genre...

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Knowledge Unlatched - KU Select 2018: Frontlist Collection
TeilnehmendeR:
Dunkel, Mario,
Nitzsche, Sina A.,
:
Knowledge Unlatched - KU Select 2018: Frontlist Collection
Place / Publishing House:Bielefeld, Germany : : Transcript Verlag,, [2019]
©2019
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Studien zur Popularmusik
Physical Description:1 online resource (328 p.)
Notes:Includes index.
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spelling Dunkel, Mario edt
Popular music and public diplomacy : transnational and transdisciplinary perspectives / edited by Mario Dunkel and Sina A. Nitzsche.
1st ed.
Bielefeld, Germany transcript Verlag 2019
Bielefeld, Germany : Transcript Verlag, [2019]
©2019
1 online resource (328 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Studien zur Popularmusik
Knowledge Unlatched 101986 KU Select 2018: HSS Frontlist Books
English.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0 http://www.transcript-verlag.de/open-access-bei-transcript
Frontmatter 1 Table of Contents 5 Acknowledgements 7 Popular Music and Public Diplomacy 9 Music in Transnational Transfers and International Competitions 29 The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49 Dervish on the Eurovision Stage 69 Between Propaganda and Public Diplomacy 95 "Liberated from Serfdom" 117 A Musical Inquisition? 133 Dancing in Chains 155 Becoming a Blue-Collar Musical Diplomat 175 Music Trade in the Slipstream of Cultural Diplomacy 197 National Flamencoism 209 The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233 Popular Musicking and the Politics of Spectatorship at the United Nations 255 From Sons of Gastarbeita to Songs of Gastarbeiter 277 Public Diplomacy and Decision-Making in the Eurovision Song Contest 301 List of Contributors 315 Index 321
In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
1\u Mario Dunkel (Prof. Dr.) teaches in the music department of the Carl von Ossietzky University of Oldenburg. His articles have appeared in »American Music«, »Popular Music and Society«, »The European Journal of Musicology«, and other outlets. He is the principal investigator of a European research project on populism and European popular music (funded by the Volkswagen Foundation). His research interests include transcultural music pedagogy, the practice and history of music diplomacy as well as the conceptualization and performance of music history in Europe and the U.S.
2\u Sina A. Nitzsche is the founder of the European Hiphop Studies Network and holds a PhD from the TU Dortmund. Her research interests include hip-hop, popular culture, urban, and media studies. She has also become one of the most renowned commenters on hip-hop culture in German media.
Description based on print version record.
Includes index.
Unrestricted online access star
International relations and culture.
Music and diplomacy.
Arts
Music
Politics
Popular Culture
Pop Music
International Relations
History of the 20th Century
Cultural History
Musicology
3-8376-4358-1
Knowledge Unlatched - KU Select 2018: Frontlist Collection funder. fnd http://id.loc.gov/vocabulary/relators/fnd
Dunkel, Mario, editor.
Nitzsche, Sina A., editor.
language English
format Software
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author2 Dunkel, Mario,
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Knowledge Unlatched - KU Select 2018: Frontlist Collection
Knowledge Unlatched - KU Select 2018: Frontlist Collection
author_facet Dunkel, Mario,
Nitzsche, Sina A.,
Knowledge Unlatched - KU Select 2018: Frontlist Collection
Knowledge Unlatched - KU Select 2018: Frontlist Collection
Knowledge Unlatched - KU Select 2018: Frontlist Collection
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title Popular music and public diplomacy : transnational and transdisciplinary perspectives /
spellingShingle Popular music and public diplomacy : transnational and transdisciplinary perspectives /
Studien zur Popularmusik
Frontmatter 1 Table of Contents 5 Acknowledgements 7 Popular Music and Public Diplomacy 9 Music in Transnational Transfers and International Competitions 29 The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49 Dervish on the Eurovision Stage 69 Between Propaganda and Public Diplomacy 95 "Liberated from Serfdom" 117 A Musical Inquisition? 133 Dancing in Chains 155 Becoming a Blue-Collar Musical Diplomat 175 Music Trade in the Slipstream of Cultural Diplomacy 197 National Flamencoism 209 The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233 Popular Musicking and the Politics of Spectatorship at the United Nations 255 From Sons of Gastarbeita to Songs of Gastarbeiter 277 Public Diplomacy and Decision-Making in the Eurovision Song Contest 301 List of Contributors 315 Index 321
title_sub transnational and transdisciplinary perspectives /
title_full Popular music and public diplomacy : transnational and transdisciplinary perspectives / edited by Mario Dunkel and Sina A. Nitzsche.
title_fullStr Popular music and public diplomacy : transnational and transdisciplinary perspectives / edited by Mario Dunkel and Sina A. Nitzsche.
title_full_unstemmed Popular music and public diplomacy : transnational and transdisciplinary perspectives / edited by Mario Dunkel and Sina A. Nitzsche.
title_auth Popular music and public diplomacy : transnational and transdisciplinary perspectives /
title_new Popular music and public diplomacy :
title_sort popular music and public diplomacy : transnational and transdisciplinary perspectives /
series Studien zur Popularmusik
series2 Studien zur Popularmusik
publisher transcript Verlag
Transcript Verlag,
publishDate 2019
physical 1 online resource (328 p.)
edition 1st ed.
contents Frontmatter 1 Table of Contents 5 Acknowledgements 7 Popular Music and Public Diplomacy 9 Music in Transnational Transfers and International Competitions 29 The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49 Dervish on the Eurovision Stage 69 Between Propaganda and Public Diplomacy 95 "Liberated from Serfdom" 117 A Musical Inquisition? 133 Dancing in Chains 155 Becoming a Blue-Collar Musical Diplomat 175 Music Trade in the Slipstream of Cultural Diplomacy 197 National Flamencoism 209 The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233 Popular Musicking and the Politics of Spectatorship at the United Nations 255 From Sons of Gastarbeita to Songs of Gastarbeiter 277 Public Diplomacy and Decision-Making in the Eurovision Song Contest 301 List of Contributors 315 Index 321
isbn 3-8394-4358-X
3-8376-4358-1
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML3470
callnumber-sort ML 43470 P678 42019
illustrated Illustrated
dewey-hundreds 300 - Social sciences
dewey-tens 300 - Social sciences, sociology & anthropology
dewey-ones 306 - Culture & institutions
dewey-full 306.4842
dewey-sort 3306.4842
dewey-raw 306.4842
dewey-search 306.4842
oclc_num 1100435514
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