Popular music and public diplomacy : : transnational and transdisciplinary perspectives / / edited by Mario Dunkel and Sina A. Nitzsche.
In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genre...
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| Place / Publishing House: | Bielefeld, Germany : : Transcript Verlag,, [2019] ©2019 |
| Year of Publication: | 2019 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Studien zur Popularmusik
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| Physical Description: | 1 online resource (328 p.) |
| Notes: | Includes index. |
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| 100 | 1 | |a Dunkel, Mario |4 edt | |
| 245 | 0 | 0 | |a Popular music and public diplomacy : |b transnational and transdisciplinary perspectives / |c edited by Mario Dunkel and Sina A. Nitzsche. |
| 250 | |a 1st ed. | ||
| 260 | |a Bielefeld, Germany |b transcript Verlag |c 2019 | ||
| 264 | 1 | |a Bielefeld, Germany : |b Transcript Verlag, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (328 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studien zur Popularmusik | |
| 536 | |a Knowledge Unlatched |c 101986 |b KU Select 2018: HSS Frontlist Books | ||
| 546 | |a English. | ||
| 540 | |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: |u https://creativecommons.org/licenses/by-nc-nd/4.0 |u http://www.transcript-verlag.de/open-access-bei-transcript | ||
| 505 | 0 | |a Frontmatter 1 Table of Contents 5 Acknowledgements 7 Popular Music and Public Diplomacy 9 Music in Transnational Transfers and International Competitions 29 The Paradoxes of Cultural and Music Diplomacy in a Federal Country 49 Dervish on the Eurovision Stage 69 Between Propaganda and Public Diplomacy 95 "Liberated from Serfdom" 117 A Musical Inquisition? 133 Dancing in Chains 155 Becoming a Blue-Collar Musical Diplomat 175 Music Trade in the Slipstream of Cultural Diplomacy 197 National Flamencoism 209 The Ethics and Politics of Empathy in US Hip-Hop Diplomacy 233 Popular Musicking and the Politics of Spectatorship at the United Nations 255 From Sons of Gastarbeita to Songs of Gastarbeiter 277 Public Diplomacy and Decision-Making in the Eurovision Song Contest 301 List of Contributors 315 Index 321 | |
| 520 | |a In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries. | ||
| 545 | 0 | |8 1\u |a Mario Dunkel (Prof. Dr.) teaches in the music department of the Carl von Ossietzky University of Oldenburg. His articles have appeared in »American Music«, »Popular Music and Society«, »The European Journal of Musicology«, and other outlets. He is the principal investigator of a European research project on populism and European popular music (funded by the Volkswagen Foundation). His research interests include transcultural music pedagogy, the practice and history of music diplomacy as well as the conceptualization and performance of music history in Europe and the U.S. | |
| 545 | 0 | |8 2\u |a Sina A. Nitzsche is the founder of the European Hiphop Studies Network and holds a PhD from the TU Dortmund. Her research interests include hip-hop, popular culture, urban, and media studies. She has also become one of the most renowned commenters on hip-hop culture in German media. | |
| 588 | |a Description based on print version record. | ||
| 500 | |a Includes index. | ||
| 506 | 0 | |f Unrestricted online access |2 star | |
| 650 | 0 | |a International relations and culture. | |
| 650 | 0 | |a Music and diplomacy. | |
| 653 | |a Arts | ||
| 653 | |a Music | ||
| 653 | |a Politics | ||
| 653 | |a Popular Culture | ||
| 653 | |a Pop Music | ||
| 653 | |a International Relations | ||
| 653 | |a History of the 20th Century | ||
| 653 | |a Cultural History | ||
| 653 | |a Musicology | ||
| 776 | |z 3-8376-4358-1 | ||
| 710 | 2 | |a Knowledge Unlatched - KU Select 2018: Frontlist Collection |e funder. |4 fnd |4 http://id.loc.gov/vocabulary/relators/fnd | |
| 700 | 1 | |a Dunkel, Mario, |e editor. | |
| 700 | 1 | |a Nitzsche, Sina A., |e editor. | |
| 830 | 0 | |a Studien zur Popularmusik | |
| 906 | |a BOOK | ||
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