Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.

"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiogra...

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TeilnehmendeR:
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2017]
©2017
Year of Publication:2017
Edition:1st ed.
Language:English
Series:Film theory in media history.
Physical Description:1 online resource (264 pages).
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spelling Hidalgo, Santiago edt
Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.
1st ed.
Amsterdam Amsterdam University Press 2017
Amsterdam : Amsterdam University Press, [2017]
©2017
1 online resource (264 pages).
text rdacontent
computer rdamedia
online resource rdacarrier
Film theory in media history
In English.
This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
Includes bibliographical references and index.
Machine generated contents note: Section I Experience -- 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- Section II Study -- 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- Section III Theory -- 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety.
"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website
Description based on print version record.
Performing Arts. ukslc
Filmtheorie gnd
Technology in motion pictures. fast (OCoLC)fst01145293
Performing Arts. eflch
Technology in motion pictures History.
History. (OCoLC)fst01411628
Electronic books.
Technology, Film Experience, Film Study, Film Historiography, Film Scholarship.
90-8964-754-6
Gaudreault, Andre, writer of foreword.
Hidalgo, Santiago, editor.
Film theory in media history.
language English
format eBook
author2 Gaudreault, Andre,
Hidalgo, Santiago,
author_facet Gaudreault, Andre,
Hidalgo, Santiago,
author2_variant s h sh
a g ag
s h sh
author2_role TeilnehmendeR
TeilnehmendeR
author_sort Gaudreault, Andre,
author_additional Charles Musser --
Jan Olsson --
Andre Habib --
Dana Cooley --
David Colangelo --
Charles O'Brien --
Paul Moore --
Tom Gunning --
Vinzenz Hediger --
Benoit Turquety.
title Technology and Film Scholarship Experience, Study, Theory /
spellingShingle Technology and Film Scholarship Experience, Study, Theory /
Film theory in media history
Machine generated contents note:
Experience --
When Did Cinema Become Cinema? Technology, History, and the Moving Pictures /
Exhibition Practices in Transition: Spectators, Audiences, and Projectors /
Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /
Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /
Study --
Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /
Film Analysis and Statistics: A Field Report /
A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /
Theory --
Cine-Graphism: A New Approach to the Evolution of Film Language through Technology /
Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /
On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /
title_sub Experience, Study, Theory /
title_full Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.
title_fullStr Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.
title_full_unstemmed Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.
title_auth Technology and Film Scholarship Experience, Study, Theory /
title_alt Experience --
When Did Cinema Become Cinema? Technology, History, and the Moving Pictures /
Exhibition Practices in Transition: Spectators, Audiences, and Projectors /
Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /
Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /
Study --
Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /
Film Analysis and Statistics: A Field Report /
A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /
Theory --
Cine-Graphism: A New Approach to the Evolution of Film Language through Technology /
Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /
On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /
title_new Technology and Film Scholarship
title_sort technology and film scholarship experience, study, theory /
series Film theory in media history
series2 Film theory in media history
publisher Amsterdam University Press
Amsterdam University Press,
publishDate 2017
physical 1 online resource (264 pages).
edition 1st ed.
contents Machine generated contents note:
Experience --
When Did Cinema Become Cinema? Technology, History, and the Moving Pictures /
Exhibition Practices in Transition: Spectators, Audiences, and Projectors /
Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /
Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /
Study --
Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /
Film Analysis and Statistics: A Field Report /
A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /
Theory --
Cine-Graphism: A New Approach to the Evolution of Film Language through Technology /
Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /
On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /
isbn 90-485-2527-6
90-8964-754-6
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995.9 T43 T434 42018
genre History. (OCoLC)fst01411628
Electronic books.
genre_facet History.
Electronic books.
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791
dewey-sort 3791
dewey-raw 791
dewey-search 791
oclc_num 1020691680
1111314142
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is_hierarchy_title Technology and Film Scholarship Experience, Study, Theory /
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