Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.
"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiogra...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2017] ©2017 |
Year of Publication: | 2017 |
Edition: | 1st ed. |
Language: | English |
Series: | Film theory in media history.
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Physical Description: | 1 online resource (264 pages). |
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(CKB)3840000000350085 (MiAaPQ)EBC5219275 (DE-B1597)502641 (OCoLC)1020691680 (DE-B1597)9789048525270 (OCoLC)1111314142 (MdBmJHUP)muse76538 (oapen)https://directory.doabooks.org/handle/20.500.12854/34260 (EXLCZ)993840000000350085 |
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Hidalgo, Santiago edt Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault. 1st ed. Amsterdam Amsterdam University Press 2017 Amsterdam : Amsterdam University Press, [2017] ©2017 1 online resource (264 pages). text rdacontent computer rdamedia online resource rdacarrier Film theory in media history In English. This eBook is made available Open Access under a CC BY-NC-ND 4.0 license: https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access Includes bibliographical references and index. Machine generated contents note: Section I Experience -- 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- Section II Study -- 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- Section III Theory -- 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. "This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website Description based on print version record. Performing Arts. ukslc Filmtheorie gnd Technology in motion pictures. fast (OCoLC)fst01145293 Performing Arts. eflch Technology in motion pictures History. History. (OCoLC)fst01411628 Electronic books. Technology, Film Experience, Film Study, Film Historiography, Film Scholarship. 90-8964-754-6 Gaudreault, Andre, writer of foreword. Hidalgo, Santiago, editor. Film theory in media history. |
language |
English |
format |
eBook |
author2 |
Gaudreault, Andre, Hidalgo, Santiago, |
author_facet |
Gaudreault, Andre, Hidalgo, Santiago, |
author2_variant |
s h sh a g ag s h sh |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Gaudreault, Andre, |
author_additional |
Charles Musser -- Jan Olsson -- Andre Habib -- Dana Cooley -- David Colangelo -- Charles O'Brien -- Paul Moore -- Tom Gunning -- Vinzenz Hediger -- Benoit Turquety. |
title |
Technology and Film Scholarship Experience, Study, Theory / |
spellingShingle |
Technology and Film Scholarship Experience, Study, Theory / Film theory in media history Machine generated contents note: Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / Film Analysis and Statistics: A Field Report / A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / |
title_sub |
Experience, Study, Theory / |
title_full |
Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault. |
title_fullStr |
Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault. |
title_full_unstemmed |
Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault. |
title_auth |
Technology and Film Scholarship Experience, Study, Theory / |
title_alt |
Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / Film Analysis and Statistics: A Field Report / A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / |
title_new |
Technology and Film Scholarship |
title_sort |
technology and film scholarship experience, study, theory / |
series |
Film theory in media history |
series2 |
Film theory in media history |
publisher |
Amsterdam University Press Amsterdam University Press, |
publishDate |
2017 |
physical |
1 online resource (264 pages). |
edition |
1st ed. |
contents |
Machine generated contents note: Experience -- When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Study -- Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / Film Analysis and Statistics: A Field Report / A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Theory -- Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / |
isbn |
90-485-2527-6 90-8964-754-6 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 T43 T434 42018 |
genre |
History. (OCoLC)fst01411628 Electronic books. |
genre_facet |
History. Electronic books. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791 |
dewey-sort |
3791 |
dewey-raw |
791 |
dewey-search |
791 |
oclc_num |
1020691680 1111314142 |
work_keys_str_mv |
AT hidalgosantiago technologyandfilmscholarshipexperiencestudytheory AT gaudreaultandre technologyandfilmscholarshipexperiencestudytheory |
status_str |
c |
ids_txt_mv |
(CKB)3840000000350085 (MiAaPQ)EBC5219275 (DE-B1597)502641 (OCoLC)1020691680 (DE-B1597)9789048525270 (OCoLC)1111314142 (MdBmJHUP)muse76538 (oapen)https://directory.doabooks.org/handle/20.500.12854/34260 (EXLCZ)993840000000350085 |
is_hierarchy_title |
Technology and Film Scholarship Experience, Study, Theory / |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1798354838641180672 |
fullrecord |
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