Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.

"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiogra...

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Bibliographic Details
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2017]
©2017
Year of Publication:2017
Edition:1st ed.
Language:English
Series:Film theory in media history.
Physical Description:1 online resource (264 pages).
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245 0 0 |a Technology and Film Scholarship  |b Experience, Study, Theory /  |c edited by Santiago Hidalgo ; foreword by Andre Gaudreault. 
250 |a 1st ed. 
260 |a Amsterdam  |b Amsterdam University Press  |c 2017 
264 1 |a Amsterdam :   |b Amsterdam University Press,   |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource (264 pages). 
336 |a text  |2 rdacontent 
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338 |a online resource  |2 rdacarrier 
490 0 |a Film theory in media history 
546 |a In English. 
540 |a This eBook is made available Open Access under a CC BY-NC-ND 4.0 license:   |u https://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access 
504 |a Includes bibliographical references and index. 
505 0 0 |a Machine generated contents note:  |g Section I  |t Experience --  |g 1.  |t When Did Cinema Become Cinema? Technology, History, and the Moving Pictures /  |r Charles Musser --  |g 2.  |t Exhibition Practices in Transition: Spectators, Audiences, and Projectors /  |r Jan Olsson --  |g 3.  |t Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia /  |r Andre Habib --  |g 4.  |t Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? /  |r Dana Cooley --  |g Section II  |t Study --  |g 5.  |t Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film /  |r David Colangelo --  |g 6.  |t Film Analysis and Statistics: A Field Report /  |r Charles O'Brien --  |g 7.  |t A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History /  |r Paul Moore --  |g Section III  |t Theory --  |g 8.  |t Cine-Graphism: A New Approach to the Evolution of Film Language through Technology /  |r Tom Gunning --  |g 9.  |t Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology /  |r Vinzenz Hediger --  |g 10.  |t On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema /  |r Benoit Turquety. 
520 8 |a "This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website 
588 |a Description based on print version record. 
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650 0 |a Technology in motion pictures.  |2 fast  |0 (OCoLC)fst01145293 
650 0 |a Performing Arts.  |2 eflch 
650 0 |a Technology in motion pictures  |x History. 
655 4 |a History.  |0 (OCoLC)fst01411628 
655 4 |a Electronic books.  
653 |a Technology, Film Experience, Film Study, Film Historiography, Film Scholarship. 
776 |z 90-8964-754-6 
700 1 |a Gaudreault, Andre,  |e writer of foreword. 
700 1 |a Hidalgo, Santiago,  |e editor. 
830 0 |a Film theory in media history. 
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