Aesthetics of Early Sound Film : : Media Change around 1930 / / ed. by Daniel Wiegand.
This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominan...
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Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | Cinema and Technology ;
6 |
Online Access: | |
Physical Description: | 1 online resource (308 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- 1. The Aesthetics of Early Sound Film: An Introduction
- Part I: From Silence to Sound
- 2. Dialogue Scenes in the Period of Multiple-Camera Shooting
- 3. Expressive Visual Effects from Silent to Sound Film
- 4. From the Lexigraphic to the Melomanic
- Part II: From Theory to Practice
- 5. “To Select, To Organize, To Sharpen”
- 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film
- Part III: National Contexts
- 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu
- 8. Early Sound Films in France: Contexts and Experiments
- 9. Reporters, Radio Waves, and the Dispersed Audience
- Part IV: Speech and Language
- 10. Talking Photographs
- 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland
- 12. The Mimetic Attempt of Multiple Versions
- Part V: Music and Noise
- 13. “How Did the Music Get to the Fish Market?”
- 14. The Sounds of War: Reflections on WWI Films of 1930
- 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni …
- General Bibliography
- Index