Aesthetics of Early Sound Film : : Media Change around 1930 / / ed. by Daniel Wiegand.

This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominan...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:Cinema and Technology ; 6
Online Access:
Physical Description:1 online resource (308 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Frontmatter
  • Table of Contents
  • 1. The Aesthetics of Early Sound Film: An Introduction
  • Part I: From Silence to Sound
  • 2. Dialogue Scenes in the Period of Multiple-Camera Shooting
  • 3. Expressive Visual Effects from Silent to Sound Film
  • 4. From the Lexigraphic to the Melomanic
  • Part II: From Theory to Practice
  • 5. “To Select, To Organize, To Sharpen”
  • 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film
  • Part III: National Contexts
  • 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu
  • 8. Early Sound Films in France: Contexts and Experiments
  • 9. Reporters, Radio Waves, and the Dispersed Audience
  • Part IV: Speech and Language
  • 10. Talking Photographs
  • 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland
  • 12. The Mimetic Attempt of Multiple Versions
  • Part V: Music and Noise
  • 13. “How Did the Music Get to the Fish Market?”
  • 14. The Sounds of War: Reflections on WWI Films of 1930
  • 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni …
  • General Bibliography
  • Index