Aesthetics of Early Sound Film : : Media Change around 1930 / / ed. by Daniel Wiegand.
This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominan...
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | Cinema and Technology ;
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Physical Description: | 1 online resource (308 p.) |
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Aesthetics of Early Sound Film : Media Change around 1930 / ed. by Daniel Wiegand. Amsterdam : Amsterdam University Press, [2023] ©2023 1 online resource (308 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Cinema and Technology ; 6 Frontmatter -- Table of Contents -- 1. The Aesthetics of Early Sound Film: An Introduction -- Part I: From Silence to Sound -- 2. Dialogue Scenes in the Period of Multiple-Camera Shooting -- 3. Expressive Visual Effects from Silent to Sound Film -- 4. From the Lexigraphic to the Melomanic -- Part II: From Theory to Practice -- 5. “To Select, To Organize, To Sharpen” -- 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film -- Part III: National Contexts -- 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu -- 8. Early Sound Films in France: Contexts and Experiments -- 9. Reporters, Radio Waves, and the Dispersed Audience -- Part IV: Speech and Language -- 10. Talking Photographs -- 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland -- 12. The Mimetic Attempt of Multiple Versions -- Part V: Music and Noise -- 13. “How Did the Music Get to the Fish Market?” -- 14. The Sounds of War: Reflections on WWI Films of 1930 -- 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni … -- General Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This volume takes a fresh look at the various aesthetics emerging globally in the early sound film era, with a focus on the films’ fundamentally experimental and inventive character. By considering films and production contexts often neglected in film studies, it strives to counter the still dominant view of the transitional period as a time of yet-to-be-perfected forerunners of ‘classical’ sound film. Instead, authors highlight the sense of ‘fruitful uncertainty’ in this period of media change and transformation. Subjects covered include visual and auditory style; the uses of speech, music, and noises; aesthetic conceptions in sound film theory; and intermedial aesthetics. The volume’s scope is decidedly international, covering production and reception contexts in the Soviet Union, Japan, the USA, Germany, France, Italy, the UK, and Switzerland. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023) Sound motion pictures History. Film Studies. Film, Media, and Communication. History. Media Studies. PERFORMING ARTS / Film & Video / General. bisacsh Film history, film aesthetics, media change, film sound. Wiegand, Daniel, editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 9783111023748 https://doi.org/10.1515/9789048555895?locatt=mode:legacy https://www.degruyter.com/isbn/9789048555895 Cover https://www.degruyter.com/document/cover/isbn/9789048555895/original |
language |
English |
format |
eBook |
author2 |
Wiegand, Daniel, Wiegand, Daniel, |
author_facet |
Wiegand, Daniel, Wiegand, Daniel, |
author2_variant |
d w dw d w dw |
author2_role |
HerausgeberIn HerausgeberIn |
author_sort |
Wiegand, Daniel, |
title |
Aesthetics of Early Sound Film : Media Change around 1930 / |
spellingShingle |
Aesthetics of Early Sound Film : Media Change around 1930 / Cinema and Technology ; Frontmatter -- Table of Contents -- 1. The Aesthetics of Early Sound Film: An Introduction -- Part I: From Silence to Sound -- 2. Dialogue Scenes in the Period of Multiple-Camera Shooting -- 3. Expressive Visual Effects from Silent to Sound Film -- 4. From the Lexigraphic to the Melomanic -- Part II: From Theory to Practice -- 5. “To Select, To Organize, To Sharpen” -- 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film -- Part III: National Contexts -- 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu -- 8. Early Sound Films in France: Contexts and Experiments -- 9. Reporters, Radio Waves, and the Dispersed Audience -- Part IV: Speech and Language -- 10. Talking Photographs -- 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland -- 12. The Mimetic Attempt of Multiple Versions -- Part V: Music and Noise -- 13. “How Did the Music Get to the Fish Market?” -- 14. The Sounds of War: Reflections on WWI Films of 1930 -- 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni … -- General Bibliography -- Index |
title_sub |
Media Change around 1930 / |
title_full |
Aesthetics of Early Sound Film : Media Change around 1930 / ed. by Daniel Wiegand. |
title_fullStr |
Aesthetics of Early Sound Film : Media Change around 1930 / ed. by Daniel Wiegand. |
title_full_unstemmed |
Aesthetics of Early Sound Film : Media Change around 1930 / ed. by Daniel Wiegand. |
title_auth |
Aesthetics of Early Sound Film : Media Change around 1930 / |
title_alt |
Frontmatter -- Table of Contents -- 1. The Aesthetics of Early Sound Film: An Introduction -- Part I: From Silence to Sound -- 2. Dialogue Scenes in the Period of Multiple-Camera Shooting -- 3. Expressive Visual Effects from Silent to Sound Film -- 4. From the Lexigraphic to the Melomanic -- Part II: From Theory to Practice -- 5. “To Select, To Organize, To Sharpen” -- 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film -- Part III: National Contexts -- 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu -- 8. Early Sound Films in France: Contexts and Experiments -- 9. Reporters, Radio Waves, and the Dispersed Audience -- Part IV: Speech and Language -- 10. Talking Photographs -- 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland -- 12. The Mimetic Attempt of Multiple Versions -- Part V: Music and Noise -- 13. “How Did the Music Get to the Fish Market?” -- 14. The Sounds of War: Reflections on WWI Films of 1930 -- 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni … -- General Bibliography -- Index |
title_new |
Aesthetics of Early Sound Film : |
title_sort |
aesthetics of early sound film : media change around 1930 / |
series |
Cinema and Technology ; |
series2 |
Cinema and Technology ; |
publisher |
Amsterdam University Press, |
publishDate |
2023 |
physical |
1 online resource (308 p.) |
contents |
Frontmatter -- Table of Contents -- 1. The Aesthetics of Early Sound Film: An Introduction -- Part I: From Silence to Sound -- 2. Dialogue Scenes in the Period of Multiple-Camera Shooting -- 3. Expressive Visual Effects from Silent to Sound Film -- 4. From the Lexigraphic to the Melomanic -- Part II: From Theory to Practice -- 5. “To Select, To Organize, To Sharpen” -- 6. Futurists and ‘Homogenizers’ in Early Soviet Sound Film -- Part III: National Contexts -- 7. Early Japanese Sound Film Aesthetics at Shochiku and Nikkatsu -- 8. Early Sound Films in France: Contexts and Experiments -- 9. Reporters, Radio Waves, and the Dispersed Audience -- Part IV: Speech and Language -- 10. Talking Photographs -- 11. Die Nacht gehört uns/La nuit est à nous and Multilingual Reception in Switzerland -- 12. The Mimetic Attempt of Multiple Versions -- Part V: Music and Noise -- 13. “How Did the Music Get to the Fish Market?” -- 14. The Sounds of War: Reflections on WWI Films of 1930 -- 15. Urban Noise in the Early Italian Sound Film Gli uomini, che mascalzoni … -- General Bibliography -- Index |
isbn |
9789048555895 9783111023748 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.7 A37 42023 |
url |
https://doi.org/10.1515/9789048555895?locatt=mode:legacy https://www.degruyter.com/isbn/9789048555895 https://www.degruyter.com/document/cover/isbn/9789048555895/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43 |
dewey-sort |
3791.43 |
dewey-raw |
791.43 |
dewey-search |
791.43 |
doi_str_mv |
10.1515/9789048555895?locatt=mode:legacy |
work_keys_str_mv |
AT wieganddaniel aestheticsofearlysoundfilmmediachangearound1930 |
status_str |
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ids_txt_mv |
(DE-B1597)670302 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
is_hierarchy_title |
Aesthetics of Early Sound Film : Media Change around 1930 / |
container_title |
Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2023 |
author2_original_writing_str_mv |
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