Theorizing Film Through Contemporary Art : : Expanding Cinema /

Theorizing Film Through Contemporary Art : : Expanding Cinema / / ed. by Jill Murphy, Laura Rascaroli.

As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinemat...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020
MitwirkendeR:
Baschiera, Stefano,
Butler, Alison,
Connolly, Maeve,
Cooper, Sarah,
Gibson, Sandra,
Murphy, Jill,
Nardelli, Matilde,
North, Kirstie,
Pantenburg, Volker,
Pethő, Ágnes,
Rascaroli, Laura,
Recoder, Luis,
Rodowick, D. N.,
Uroskie, Andrew V.,
Åkervall, Lisa,
HerausgeberIn:
Murphy, Jill,
Rascaroli, Laura,
Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Film Culture in Transition
Online Access:
Physical Description:1 online resource (302 p.)
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Table of Contents:
  • Frontmatter
  • Table of Contents
  • List of Illustrations
  • Acknowledgments
  • Foreword: Courtesy of the Artists
  • Introduction: On Cinema Expanding
  • Part One Materialities
  • 1 Cinema as (In)Visible Object
  • 2 Objects in Time
  • 3 Materializing the Body of the Actor
  • 4 How to Spell ‘Film’
  • Part Two Immaterialities
  • 5 The Magic of Shadows
  • 6 Douglas Gordon and the Gallery of the Mind
  • 7 A Throw of the Dice Will Never Abolish Chance
  • Part Three Temporalities
  • 8 The Photo-Filmic Diorama
  • 9 The Cinematic Dispositif and Its Ghost
  • 10 Time/Frame: On Cinematic Duration
  • Part Four The Futures of the Image
  • 11 Interactivity without Control
  • 12 Post-Cinematic Unframing
  • 13 Absolute Immanence
  • Index

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