Omnibus Films : : Theorizing Transauthorial Cinema / / David Scott Diffrient.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2014-2015
• VerfasserIn: Diffrient, David Scott,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2014
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (288 p.) :; 41 B/W illustrations
• Other title: Frontmatter --; Contents --; Figures --; Acknowledgments --; Part I. Historical and Theoretical Perspectives --; Part II. Get on the Omnibus: Case Studies in Transauthorial Cinema --; Notes --; Filmography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748695676; 9783110780451
• DOI: 10.1515/9780748695676
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: David Scott Diffrient.

The first book-length exploration of internationally distributed, multi-director episode films Omnibus films bring together the contributions of two or more filmmakers. Does this make them inherently contradictory texts? How do they challenge critical categories in cinema studies? What are their implications for auteur theory?As the first book-length exploration of internationally distributed, multi-director episode films, David Scott Diffrient’s Omnibus Films: Theorizing Transauthorial Cinema fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narrative, and transnational production and reception. Delving into such unique yet representative case studies as If I Had a Million (1932), Forever and a Day (1943), Dead of Night (1945), Quartet (1948), Love and the City (1953), Boccaccio ’70 , (1962), New York Stories (1989), Tickets (2005), Visions of Europe (2005), and Paris, je t’aime (2006), this book covers much conceptual ground and crosses narrative as well as national borders in much the same way that omnibus films do.Omnibus Films is a particularly thought-provoking book for those working in the fields of auteur theory, film genre and transnational cinema, and is suitable for advanced students in Cinema Studies.