Queer Representations in Chinese-language Film and the Cultural Landscape / / Shi-Yan Chao.
This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates th...
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| Superior document: | Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2020] ©2020 |
| Year of Publication: | 2020 |
| Language: | English |
| Series: | Asian Visual Cultures ;
9 |
| Online Access: | |
| Physical Description: | 1 online resource (412 p.) |
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Table of Contents:
- Frontmatter
- Table of Contents
- List of Figures
- Acknowledgements
- Introduction: Processing Tongzhi/Queer Imaginaries
- Section I. Against Families, Against States
- 1. The Chinese Queer Diasporic Imaginary
- 2. Two Stage Sisters: Comrades, Almost a Love Story
- Section II. Camp Aesthetics
- 3. Mass Camp in Contemporary Hong Kong Cinema
- 4. Toward an Aesthetic of Tongzhi Camp
- Section III. Documentary Impulse
- 5. Coming Out of The Box, Lalas with DV Cameras
- 6. Performing Gender, Performing Documentary in Postsocialist China
- Conclusion
- Chinese Glossary
- Bilingual Filmography
- Bibliography
- Index