Queer Representations in Chinese-language Film and the Cultural Landscape / / Shi-Yan Chao.

This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates th...

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Superior document:Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2020
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2020]
©2020
Year of Publication:2020
Language:English
Series:Asian Visual Cultures ; 9
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Physical Description:1 online resource (412 p.)
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245 1 0 |a Queer Representations in Chinese-language Film and the Cultural Landscape /  |c Shi-Yan Chao. 
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505 0 0 |t Frontmatter --   |t Table of Contents --   |t List of Figures --   |t Acknowledgements --   |t Introduction: Processing Tongzhi/Queer Imaginaries --   |t Section I. Against Families, Against States --   |t 1. The Chinese Queer Diasporic Imaginary --   |t 2. Two Stage Sisters: Comrades, Almost a Love Story --   |t Section II. Camp Aesthetics --   |t 3. Mass Camp in Contemporary Hong Kong Cinema --   |t 4. Toward an Aesthetic of Tongzhi Camp --   |t Section III. Documentary Impulse --   |t 5. Coming Out of The Box, Lalas with DV Cameras --   |t 6. Performing Gender, Performing Documentary in Postsocialist China --   |t Conclusion --   |t Chinese Glossary --   |t Bilingual Filmography --   |t Bibliography --   |t Index 
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520 |a This book provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao's discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 4 |a Asian Studies. 
650 4 |a East Asia and North East Asia. 
650 4 |a Film Studies. 
650 4 |a Sociology and Social History. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
653 |a Tongzhi/queer, Chinese-language film, discourse, camp aesthetic, documentary. 
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