Cinema and Narrative Complexity : : Embodying the Fabula / / Steffen Hven.
Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approac...
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Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2017] ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Film Culture in Transition
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Online Access: | |
Physical Description: | 1 online resource (260 p.) :; 3 halftones |
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100 | 1 | |a Hven, Steffen, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Cinema and Narrative Complexity : |b Embodying the Fabula / |c Steffen Hven. |
264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2017] | |
264 | 4 | |c ©2017 | |
300 | |a 1 online resource (260 p.) : |b 3 halftones | ||
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338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Film Culture in Transition | |
505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t I. Introduction -- |t II. Cinema in the Interstices -- |t III. Narrative Ambiguity in the Classical Cinema -- |t IV. Modern(ist) Cinema: Logic of the Encounter -- |t V. Towards the Embodied Fabula -- |t VI. The Complexity of Complex Narratives -- |t VII. Memento and the Embodied Fabula -- |t VIII. Conclusions -- |t Bibliography -- |t Notes -- |t Acknowledgments -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 4 | |a Film Studies. | |
650 | 4 | |a Film, Media, and Communication. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
653 | |a Film-philosophy, cognitive film science, embodied cognition, narratology, 'complex narratives'. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package 2016-2018 |z 9783110667318 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t AUP eBook Package Backlist 2015-2017 |z 9783110606447 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Amsterdam University Press Complete eBook-Package 2017 |z 9783110662849 |
776 | 0 | |c print |z 9789462980778 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9789048530250?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9789048530250 |
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912 | |a 978-3-11-066284-9 Amsterdam University Press Complete eBook-Package 2017 |b 2017 | ||
912 | |a 978-3-11-066731-8 AUP eBook Package 2016-2018 |c 2016 |d 2018 | ||
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