Cinema and Narrative Complexity : : Embodying the Fabula / / Steffen Hven.

Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approac...

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Superior document:Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2017]
©2017
Year of Publication:2017
Language:English
Series:Film Culture in Transition
Online Access:
Physical Description:1 online resource (260 p.) :; 3 halftones
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Other title:Frontmatter --
Table of Contents --
I. Introduction --
II. Cinema in the Interstices --
III. Narrative Ambiguity in the Classical Cinema --
IV. Modern(ist) Cinema: Logic of the Encounter --
V. Towards the Embodied Fabula --
VI. The Complexity of Complex Narratives --
VII. Memento and the Embodied Fabula --
VIII. Conclusions --
Bibliography --
Notes --
Acknowledgments --
Index
Summary:Since the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.
Format:Mode of access: Internet via World Wide Web.
ISBN:9789048530250
9783110667318
9783110606447
9783110662849
DOI:10.1515/9789048530250?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Steffen Hven.