Cinema's Baroque Flesh : : Film, Phenomenology and the Art of Entanglement / / Saige Walton.
In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers c...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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| VerfasserIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (278 p.) :; 10 halftones |
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Table of Contents:
- Frontmatter
- Table of contents
- Acknowledgements
- Introduction
- 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility
- 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions
- 3. Baroque Skin/Semiotics
- 4. One Hand Films the Other: Baroque Haptics
- Conclusion: Or the Baroque 'Beauty of the Act'
- Notes
- Bibliography
- Filmography
- Index