Cinema's Baroque Flesh : : Film, Phenomenology and the Art of Entanglement / / Saige Walton.
In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers c...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Film Culture in Transition
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| Physical Description: | 1 online resource (278 p.) :; 10 halftones |
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9789048528493 |
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2016521039 |
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(DE-B1597)502863 (OCoLC)961117681 |
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Walton, Saige, author. aut http://id.loc.gov/vocabulary/relators/aut Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / Saige Walton. Amsterdam : Amsterdam University Press, [2016] ©2016 1 online resource (278 p.) : 10 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Film Culture in Transition Frontmatter -- Table of contents -- Acknowledgements -- Introduction -- 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility -- 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions -- 3. Baroque Skin/Semiotics -- 4. One Hand Films the Other: Baroque Haptics -- Conclusion: Or the Baroque 'Beauty of the Act' -- Notes -- Bibliography -- Filmography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including Caché, Strange Days, the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Art Philosophy. Arts, Baroque Influence. Human body in motion pictures. Motion pictures Aesthetics. Phenomenology and art. Skin. Film Studies. Film, Media, and Communication. ART / Film & Video. bisacsh Aesthetics. Baroque. Cinema. Embodiment. Neo-Baroque. Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 9783110667318 Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2015-2017 9783110606447 Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2016 9783110662931 print 9789089649515 https://doi.org/10.1515/9789048528493?locatt=mode:legacy https://www.degruyter.com/isbn/9789048528493 Cover https://www.degruyter.com/cover/covers/9789048528493.jpg |
| language |
English |
| format |
eBook |
| author |
Walton, Saige, Walton, Saige, |
| spellingShingle |
Walton, Saige, Walton, Saige, Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / Film Culture in Transition Frontmatter -- Table of contents -- Acknowledgements -- Introduction -- 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility -- 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions -- 3. Baroque Skin/Semiotics -- 4. One Hand Films the Other: Baroque Haptics -- Conclusion: Or the Baroque 'Beauty of the Act' -- Notes -- Bibliography -- Filmography -- Index |
| author_facet |
Walton, Saige, Walton, Saige, |
| author_variant |
s w sw s w sw |
| author_role |
VerfasserIn VerfasserIn |
| author_sort |
Walton, Saige, |
| title |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / |
| title_sub |
Film, Phenomenology and the Art of Entanglement / |
| title_full |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / Saige Walton. |
| title_fullStr |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / Saige Walton. |
| title_full_unstemmed |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / Saige Walton. |
| title_auth |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / |
| title_alt |
Frontmatter -- Table of contents -- Acknowledgements -- Introduction -- 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility -- 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions -- 3. Baroque Skin/Semiotics -- 4. One Hand Films the Other: Baroque Haptics -- Conclusion: Or the Baroque 'Beauty of the Act' -- Notes -- Bibliography -- Filmography -- Index |
| title_new |
Cinema's Baroque Flesh : |
| title_sort |
cinema's baroque flesh : film, phenomenology and the art of entanglement / |
| series |
Film Culture in Transition |
| series2 |
Film Culture in Transition |
| publisher |
Amsterdam University Press, |
| publishDate |
2016 |
| physical |
1 online resource (278 p.) : 10 halftones Issued also in print. |
| contents |
Frontmatter -- Table of contents -- Acknowledgements -- Introduction -- 1. Flesh, Cinema and the Baroque: The Aesthetics of Reversibility -- 2. Knots of Sensation: Co-Extensive Space and a Cinema of the Passions -- 3. Baroque Skin/Semiotics -- 4. One Hand Films the Other: Baroque Haptics -- Conclusion: Or the Baroque 'Beauty of the Act' -- Notes -- Bibliography -- Filmography -- Index |
| isbn |
9789048528493 9783110667318 9783110606447 9783110662931 9789089649515 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1995 |
| callnumber-sort |
PN 41995.25 W35 42016 |
| url |
https://doi.org/10.1515/9789048528493?locatt=mode:legacy https://www.degruyter.com/isbn/9789048528493 https://www.degruyter.com/cover/covers/9789048528493.jpg |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
790 - Sports, games & entertainment |
| dewey-ones |
791 - Public performances |
| dewey-full |
791.43/615 |
| dewey-sort |
3791.43 3615 |
| dewey-raw |
791.43/615 |
| dewey-search |
791.43/615 |
| doi_str_mv |
10.1515/9789048528493?locatt=mode:legacy |
| oclc_num |
961117681 |
| work_keys_str_mv |
AT waltonsaige cinemasbaroquefleshfilmphenomenologyandtheartofentanglement |
| status_str |
n |
| ids_txt_mv |
(DE-B1597)502863 (OCoLC)961117681 |
| carrierType_str_mv |
cr |
| hierarchy_parent_title |
Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2015-2017 Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2016 |
| is_hierarchy_title |
Cinema's Baroque Flesh : Film, Phenomenology and the Art of Entanglement / |
| container_title |
Title is part of eBook package: De Gruyter AUP eBook Package 2016-2018 |
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1770179210825957376 |
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