Cine-Dispositives : : Essays in Epistemology Across Media / / ed. by Maria Tortajada, François Albera.
This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives—the Foucauldian concept of a strategic and technical configuration of practices and discourses—from the emergence of film studies as a field in the 1960s to more recent uses of...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014 |
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| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (386 p.) :; 33 halftones |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Questioning The Word “Dispositif”
- Foreword
- I. Dispositives Programs
- The Dispositive Does Not Exist!
- Between Knowing And Believing
- II. Dispositives Issues
- “You Do Not Even Know Where You Are”
- Marey And The Synthesis Of Movement
- Notes On The Bergsonian Cinematograph
- The Stereopticon And Cinema
- On Some Limitations Of The Definition Of The Dispositive “Cinema”
- The Moment Of The “Dispositif”
- The “Dispositive Effect” In Film Narrative
- III. Dispositives Histories
- The Social Imaginary Of Telephony
- Between Paradoxical Spectacles And Technical Dispositives
- Forms Of Machines, Forms Of Movement
- The Amateur-Dispositive
- Two Versions Of The Television Dispositive
- Reality Television As Dispositive: The Case Of French-Speaking Switzerland
- Dispositive And Cinepoetry, Around Foucault’S Death And The Labyrinth
- Archaeology And Spectacle
- About The Authors
- Index Of Titles
- Index Of Names