Color and Empathy : : Essays on Two Aspects of Film / / Christine Brinckmann.
This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white a...
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| Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014 |
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| Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Series: | Film Culture in Transition
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| Online Access: | |
| Physical Description: | 1 online resource (260 p.) :; 88 color plates |
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Table of Contents:
- Frontmatter
- Table of Contents
- Preface
- Cinematic Color as Likeness and as Artifact
- Chords of Color
- The Tension of Colors in Colorized Silent Films
- Structural Film, Structuring Color: Jenny Okun’s Still Life
- Desert Fury: A Film Noir in Color
- The Work of the Camera: Beau travail
- Empathy with the Animal
- Motor Mimicry in Hitchcock
- Abstraction and Empathy in the Early German Avant-garde
- The Role of Empathy in Documentary Film: A Case Study
- Genre Conflict in Tracey Emin’s Top Spot
- Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate
- Casta Diva: An Empathetic Reading
- Publication Data
- Index of Films
- Index of Subjects
- Film Culture in Transition