Color and Empathy : : Essays on Two Aspects of Film / / Christine Brinckmann.

This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white a...

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Superior document:Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014
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Place / Publishing House:Amsterdam : : Amsterdam University Press, , [2014]
©2014
Year of Publication:2014
Language:English
Series:Film Culture in Transition
Online Access:
Physical Description:1 online resource (260 p.) :; 88 color plates
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245 1 0 |a Color and Empathy :  |b Essays on Two Aspects of Film /  |c Christine Brinckmann. 
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300 |a 1 online resource (260 p.) :  |b 88 color plates 
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490 0 |a Film Culture in Transition 
505 0 0 |t Frontmatter --   |t Table of Contents --   |t Preface --   |t Cinematic Color as Likeness and as Artifact --   |t Chords of Color --   |t The Tension of Colors in Colorized Silent Films --   |t Structural Film, Structuring Color: Jenny Okun’s Still Life --   |t Desert Fury: A Film Noir in Color --   |t The Work of the Camera: Beau travail --   |t Empathy with the Animal --   |t Motor Mimicry in Hitchcock --   |t Abstraction and Empathy in the Early German Avant-garde --   |t The Role of Empathy in Documentary Film: A Case Study --   |t Genre Conflict in Tracey Emin’s Top Spot --   |t Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate --   |t Casta Diva: An Empathetic Reading --   |t Publication Data --   |t Index of Films --   |t Index of Subjects --   |t Film Culture in Transition 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Colors in motion pictures. 
650 0 |a Empathy. 
650 0 |a Motion pictures. 
650 4 |a Film, Media, and Communication. 
650 4 |a Media Studies. 
650 7 |a ART / Film & Video.  |2 bisacsh 
653 |a Film poetics. 
653 |a colour in film. 
653 |a documentary film. 
653 |a historical stylistics. 
653 |a viewer response. 
700 1 |a Brinckman, Christine N.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Amsterdam University Press Complete eBook-Package 2014  |z 9783111023779 
776 0 |c print  |z 9789089646569 
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