Faraway Settings : : Spanish and Chinese Theaters of the 16th and 17th Centuries / / Juan Pablo Gil-Osle, Frederick A. de Armas.
A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at t...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Frankfurt am Main : : Vervuert Verlagsgesellschaft, , [2020] ©2019 |
Year of Publication: | 2020 |
Language: | Spanish |
Online Access: | |
Physical Description: | 1 online resource (266 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Table of contents
- Preface
- Theatrical Origins
- Jongleuresque Origins
- Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China)
- Oneiric Excesses and Theatricality
- Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia)
- Global Climate and Emotions
- Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño)
- Global Stagings
- Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong)
- Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
- Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian)
- Sinosphere
- Christian sacred plays and Nō Style
- Depicting Japan: Lope de Vega and Los primeros mártires del Japón
- Contributors
- Index
- También en Iberoamericana/Vervuert