Faraway Settings : : Spanish and Chinese Theaters of the 16th and 17th Centuries / / Juan Pablo Gil-Osle, Frederick A. de Armas.

A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at t...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020
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Place / Publishing House:Frankfurt am Main : : Vervuert Verlagsgesellschaft, , [2020]
©2019
Year of Publication:2020
Language:Spanish
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Physical Description:1 online resource (266 p.)
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Table of Contents:
  • Frontmatter
  • Table of contents
  • Preface
  • Theatrical Origins
  • Jongleuresque Origins
  • Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China)
  • Oneiric Excesses and Theatricality
  • Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia)
  • Global Climate and Emotions
  • Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño)
  • Global Stagings
  • Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong)
  • Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
  • Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong)
  • From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian)
  • Sinosphere
  • Christian sacred plays and Nō Style
  • Depicting Japan: Lope de Vega and Los primeros mártires del Japón
  • Contributors
  • Index
  • También en Iberoamericana/Vervuert