Faraway Settings : : Spanish and Chinese Theaters of the 16th and 17th Centuries / / Juan Pablo Gil-Osle, Frederick A. de Armas.
A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at t...
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Place / Publishing House: | Frankfurt am Main : : Vervuert Verlagsgesellschaft, , [2020] ©2019 |
Year of Publication: | 2020 |
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Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / Juan Pablo Gil-Osle, Frederick A. de Armas. Frankfurt am Main : Vervuert Verlagsgesellschaft, [2020] ©2019 1 online resource (266 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Table of contents -- Preface -- Theatrical Origins -- Jongleuresque Origins -- Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China) -- Oneiric Excesses and Theatricality -- Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia) -- Global Climate and Emotions -- Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño) -- Global Stagings -- Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) -- Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian) -- Sinosphere -- Christian sacred plays and Nō Style -- Depicting Japan: Lope de Vega and Los primeros mártires del Japón -- Contributors -- Index -- También en Iberoamericana/Vervuert restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A comparative study of Ming and Iberian theaters has never been attempted. Thus, this book aims to provide the reader with a series of different approaches. First, through a comparison of specific works by Spanish and Chinese playwrights during the Ming and Habsburg periods, we aim to show that at times certain commonalities are in reality spaces fraught with misunderstanding. A melancholic character in Spain would not be the same as a melancholic figure in Chinese theater. A particular plant or flower had completely different symbolic meanings. However, it is curious to note how certain character types in both theaters resemble each other; and how the interaction between actors and audience would show clear parallels. At the same time, this is a book that also finds the thrill of correspondences and affinities as they are recovered through modern staging, climate change, universality of emotions, representations of friendship, folk characters, metaphors and dreams. Mode of access: Internet via World Wide Web. In Spanish, Castilian. Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) LITERARY CRITICISM / European / Spanish & Portuguese. bisacsh Ancell, Matthew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Armas, Frederick A. de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Burningham, Bruce R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Domínguez, María José, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gil-Osle, Juan Pablo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gil-Osle, Juan Pablo, editor. edt http://id.loc.gov/vocabulary/relators/edt Higuera, Claudia Mesa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Puche, Alejandro González, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rubiera, Javier, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Su, Carmela V. Mattza, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sánchez, Jorge Abril, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zhenghong, 马政红 Ma, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb de Armas, Frederick A., editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 9783110704518 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 9783110704532 ZDB-23-DKU Title is part of eBook package: De Gruyter Vervuert Complete eBook-Package 2019 9783110661538 ZDB-207-IBV print 9788491920922 https://doi.org/10.31819/9783964568922 https://www.degruyter.com/isbn/9783964568922 Cover https://www.degruyter.com/document/cover/isbn/9783964568922/original |
language |
Spanish |
format |
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author2 |
Ancell, Matthew, Ancell, Matthew, Armas, Frederick A. de, Armas, Frederick A. de, Burningham, Bruce R., Burningham, Bruce R., Domínguez, María José, Domínguez, María José, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Higuera, Claudia Mesa, Higuera, Claudia Mesa, Puche, Alejandro González, Puche, Alejandro González, Rubiera, Javier, Rubiera, Javier, Su, Carmela V. Mattza, Su, Carmela V. Mattza, Sánchez, Jorge Abril, Sánchez, Jorge Abril, Zhenghong, 马政红 Ma, Zhenghong, 马政红 Ma, de Armas, Frederick A., de Armas, Frederick A., |
author_facet |
Ancell, Matthew, Ancell, Matthew, Armas, Frederick A. de, Armas, Frederick A. de, Burningham, Bruce R., Burningham, Bruce R., Domínguez, María José, Domínguez, María José, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Gil-Osle, Juan Pablo, Higuera, Claudia Mesa, Higuera, Claudia Mesa, Puche, Alejandro González, Puche, Alejandro González, Rubiera, Javier, Rubiera, Javier, Su, Carmela V. Mattza, Su, Carmela V. Mattza, Sánchez, Jorge Abril, Sánchez, Jorge Abril, Zhenghong, 马政红 Ma, Zhenghong, 马政红 Ma, de Armas, Frederick A., de Armas, Frederick A., |
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MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn |
author_sort |
Ancell, Matthew, |
title |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / |
spellingShingle |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / Frontmatter -- Table of contents -- Preface -- Theatrical Origins -- Jongleuresque Origins -- Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China) -- Oneiric Excesses and Theatricality -- Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia) -- Global Climate and Emotions -- Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño) -- Global Stagings -- Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) -- Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian) -- Sinosphere -- Christian sacred plays and Nō Style -- Depicting Japan: Lope de Vega and Los primeros mártires del Japón -- Contributors -- Index -- También en Iberoamericana/Vervuert |
title_sub |
Spanish and Chinese Theaters of the 16th and 17th Centuries / |
title_full |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / Juan Pablo Gil-Osle, Frederick A. de Armas. |
title_fullStr |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / Juan Pablo Gil-Osle, Frederick A. de Armas. |
title_full_unstemmed |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / Juan Pablo Gil-Osle, Frederick A. de Armas. |
title_auth |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / |
title_alt |
Frontmatter -- Table of contents -- Preface -- Theatrical Origins -- Jongleuresque Origins -- Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China) -- Oneiric Excesses and Theatricality -- Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia) -- Global Climate and Emotions -- Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño) -- Global Stagings -- Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) -- Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian) -- Sinosphere -- Christian sacred plays and Nō Style -- Depicting Japan: Lope de Vega and Los primeros mártires del Japón -- Contributors -- Index -- También en Iberoamericana/Vervuert |
title_new |
Faraway Settings : |
title_sort |
faraway settings : spanish and chinese theaters of the 16th and 17th centuries / |
publisher |
Vervuert Verlagsgesellschaft, |
publishDate |
2020 |
physical |
1 online resource (266 p.) |
contents |
Frontmatter -- Table of contents -- Preface -- Theatrical Origins -- Jongleuresque Origins -- Spain Learning about Chinese Theater (Miguel de Luarca’s Verdadera relación de la grandeza del Reino de China) -- Oneiric Excesses and Theatricality -- Painting Emotions and Dreams (Tang Xianzu’s Peony Pavilion and Lope de Vega’s La quinta de Florencia) -- Global Climate and Emotions -- Emotion, Object, and Space (Tang Xianzu’s Peony Pavilion and Pedro Calderón de la Barca’s La vida es sueño) -- Global Stagings -- Picaresque Theater (Miguel de Cervantes’ Pedro de Urdemalas, directed by Alejandro González Puche and Ma Zhenghong) -- Theatrical Characters (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- Audience Reception (Pedro Calderón de la Barca’s El astrólogo fingido, directed by Alejandro González Puche and Ma Zhenghong) -- From Novel and Theater (Pedro Calderón de la Barca, La vida es sueño, directed by Chen Kaixian) -- Sinosphere -- Christian sacred plays and Nō Style -- Depicting Japan: Lope de Vega and Los primeros mártires del Japón -- Contributors -- Index -- También en Iberoamericana/Vervuert |
isbn |
9783964568922 9783110704518 9783110704532 9783110661538 9788491920922 |
url |
https://doi.org/10.31819/9783964568922 https://www.degruyter.com/isbn/9783964568922 https://www.degruyter.com/document/cover/isbn/9783964568922/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.31819/9783964568922 |
oclc_num |
1138525166 |
work_keys_str_mv |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 Title is part of eBook package: De Gruyter Vervuert Complete eBook-Package 2019 |
is_hierarchy_title |
Faraway Settings : Spanish and Chinese Theaters of the 16th and 17th Centuries / |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 |
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