Fragments, Futures, Absence and the Past : : A New Approach to Photography /

Fragments, Futures, Absence and the Past : : A New Approach to Photography / / Silke Helmerdig.

According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on...

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Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
VerfasserIn:
Helmerdig, Silke,
Place / Publishing House:Bielefeld : : transcript Verlag, , [2016]
©2016
Year of Publication:2016
Language:English
Series:Image ; 101
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Physical Description:1 online resource (206 p.)
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id 9783839436240
ctrlnum (DE-B1597)473371
(OCoLC)959665258
collection bib_alma
record_format marc
spelling Helmerdig, Silke, author. aut http://id.loc.gov/vocabulary/relators/aut
Fragments, Futures, Absence and the Past : A New Approach to Photography / Silke Helmerdig.
Bielefeld : transcript Verlag, [2016]
©2016
1 online resource (206 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Image ; 101
Frontmatter -- Contents -- Introduction. “After Auschwitz” – photography and the principle of hope -- Chapter 1. Photography and historiography -- Chapter 2. Post-War Germany and its remembrance of the Holocaust -- Chapter 3. The representation of absence in photography -- Chapter 4: Epilogue. Photography: A future subjunctive for the past -- Bibliography -- Acknowledgements
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
Collective memory Germany History 20th century.
Documentary photography History.
Historiography and photography.
Holocaust, Jewish (1939-1945).
Photography Philosophy.
Absence.
Contemporary History.
Depiction.
Fine Arts.
Future.
History.
Image.
Memory Culture.
Moment.
Past.
Post-War Germany.
Presence.
Visual Studies.
ART / Criticism. bisacsh
Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016 9783110701005
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016 9783110485103 ZDB-23-DGG
Title is part of eBook package: De Gruyter EBOOK PACKAGE Social Sciences 2016 9783110485332 ZDB-23-DSW
Title is part of eBook package: De Gruyter PP Plus eBook-Package 2016 9783110701012
Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014-2016 9783110489842 ZDB-23-TGP
Title is part of eBook package: De Gruyter transcript English Contemporary eBook-Package 2016-2018 9783110661545
print 9783837636246
https://doi.org/10.1515/9783839436240?locatt=mode:legacy
https://www.degruyter.com/isbn/9783839436240
Cover https://www.degruyter.com/document/cover/isbn/9783839436240/original
language English
format eBook
author Helmerdig, Silke,
Helmerdig, Silke,
spellingShingle Helmerdig, Silke,
Helmerdig, Silke,
Fragments, Futures, Absence and the Past : A New Approach to Photography /
Image ;
Frontmatter --
Contents --
Introduction. “After Auschwitz” – photography and the principle of hope --
Chapter 1. Photography and historiography --
Chapter 2. Post-War Germany and its remembrance of the Holocaust --
Chapter 3. The representation of absence in photography --
Chapter 4: Epilogue. Photography: A future subjunctive for the past --
Bibliography --
Acknowledgements
author_facet Helmerdig, Silke,
Helmerdig, Silke,
author_variant s h sh
s h sh
author_role VerfasserIn
VerfasserIn
author_sort Helmerdig, Silke,
title Fragments, Futures, Absence and the Past : A New Approach to Photography /
title_sub A New Approach to Photography /
title_full Fragments, Futures, Absence and the Past : A New Approach to Photography / Silke Helmerdig.
title_fullStr Fragments, Futures, Absence and the Past : A New Approach to Photography / Silke Helmerdig.
title_full_unstemmed Fragments, Futures, Absence and the Past : A New Approach to Photography / Silke Helmerdig.
title_auth Fragments, Futures, Absence and the Past : A New Approach to Photography /
title_alt Frontmatter --
Contents --
Introduction. “After Auschwitz” – photography and the principle of hope --
Chapter 1. Photography and historiography --
Chapter 2. Post-War Germany and its remembrance of the Holocaust --
Chapter 3. The representation of absence in photography --
Chapter 4: Epilogue. Photography: A future subjunctive for the past --
Bibliography --
Acknowledgements
title_new Fragments, Futures, Absence and the Past :
title_sort fragments, futures, absence and the past : a new approach to photography /
series Image ;
series2 Image ;
publisher transcript Verlag,
publishDate 2016
physical 1 online resource (206 p.)
contents Frontmatter --
Contents --
Introduction. “After Auschwitz” – photography and the principle of hope --
Chapter 1. Photography and historiography --
Chapter 2. Post-War Germany and its remembrance of the Holocaust --
Chapter 3. The representation of absence in photography --
Chapter 4: Epilogue. Photography: A future subjunctive for the past --
Bibliography --
Acknowledgements
isbn 9783839436240
9783110701005
9783110485103
9783110485332
9783110701012
9783110489842
9783110661545
9783837636246
geographic_facet Germany
era_facet 20th century.
url https://doi.org/10.1515/9783839436240?locatt=mode:legacy
https://www.degruyter.com/isbn/9783839436240
https://www.degruyter.com/document/cover/isbn/9783839436240/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 770 - Photography & computer art
dewey-ones 770 - Photography, photographs & computer art
dewey-full 770
dewey-sort 3770
dewey-raw 770
dewey-search 770
doi_str_mv 10.1515/9783839436240?locatt=mode:legacy
oclc_num 959665258
work_keys_str_mv AT helmerdigsilke fragmentsfuturesabsenceandthepastanewapproachtophotography
status_str n
ids_txt_mv (DE-B1597)473371
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2016
Title is part of eBook package: De Gruyter EBOOK PACKAGE Social Sciences 2016
Title is part of eBook package: De Gruyter PP Plus eBook-Package 2016
Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014-2016
Title is part of eBook package: De Gruyter transcript English Contemporary eBook-Package 2016-2018
is_hierarchy_title Fragments, Futures, Absence and the Past : A New Approach to Photography /
container_title Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
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