Fragments, Futures, Absence and the Past : : A New Approach to Photography / / Silke Helmerdig.

According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on...

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Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2016
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Place / Publishing House:Bielefeld : : transcript Verlag, , [2016]
©2016
Year of Publication:2016
Language:English
Series:Image ; 101
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Physical Description:1 online resource (206 p.)
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100 1 |a Helmerdig, Silke,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Fragments, Futures, Absence and the Past :  |b A New Approach to Photography /  |c Silke Helmerdig. 
264 1 |a Bielefeld :   |b transcript Verlag,   |c [2016] 
264 4 |c ©2016 
300 |a 1 online resource (206 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction. “After Auschwitz” – photography and the principle of hope --   |t Chapter 1. Photography and historiography --   |t Chapter 2. Post-War Germany and its remembrance of the Holocaust --   |t Chapter 3. The representation of absence in photography --   |t Chapter 4: Epilogue. Photography: A future subjunctive for the past --   |t Bibliography --   |t Acknowledgements 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Collective memory  |z Germany  |x History  |y 20th century. 
650 0 |a Documentary photography  |x History. 
650 0 |a Historiography and photography. 
650 0 |a Holocaust, Jewish (1939-1945). 
650 0 |a Photography  |x Philosophy. 
650 4 |a Absence. 
650 4 |a Contemporary History. 
650 4 |a Depiction. 
650 4 |a Fine Arts. 
650 4 |a Future. 
650 4 |a History. 
650 4 |a Image. 
650 4 |a Memory Culture. 
650 4 |a Moment. 
650 4 |a Past. 
650 4 |a Post-War Germany. 
650 4 |a Presence. 
650 4 |a Visual Studies. 
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653 |a Absence. 
653 |a Contemporary History. 
653 |a Depiction. 
653 |a Fine Arts. 
653 |a Future. 
653 |a History. 
653 |a Image. 
653 |a Memory Culture. 
653 |a Moment. 
653 |a Past. 
653 |a Post-War Germany. 
653 |a Presence. 
653 |a Visual Studies. 
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