Kompositionen für hörbaren Raum / Compositions for Audible Space : : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / / ed. by Ralph Paland, Martha Brech.

• Superior document: Title is part of eBook package: De Gruyter DG Plus PP Package 2015 Part 2
• MitwirkendeR: Anderson, Elizabeth L.,; Bates, Enda,; Battier, Marc,; Baumann, Dorothea,; Brech, Martha,; Brüstle, Christa,; Coler, Henrik von,; Dack, John,; Decroupet, Pascal,; Dollinger, Christina,; Emmerson, Simon,; Gorne, Annette van de,; Groote, Inga Mai,; Kolb, Fabian,; Motte-Haber, Helga de la,; Neumann, Sonja,; Paland, Ralph,; Schmidt Horning, Susan,; Schröder, Julia H.,; Solomos, Makis,
• HerausgeberIn: Brech, Martha,; Paland, Ralph,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2015]; ©2015
• Year of Publication: 2015
• Edition: 1. Aufl.
• Language: English
• Series: Musik und Klangkultur ; 12
• Physical Description: 1 online resource (354 p.)

The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compos...

Table of Contents

• Frontmatter
• Inhalt / Content
• Foreword
• Facetten des auditiven Raums / Facets of Audible Space
• Local/Field and Beyond
• Annäherungen an Hör-Räume des Mittelalters
• Music and Space in the Renaissance
• Klangwelten für den großen Saal
• Henry Brants »Spatial Music«
• Spatiale Basistechnologien / Fundamental Spatial Technologies
• Von dislozierten Klängen und auditiven Räumen
• Recent Discoveries in the Spatial Thought of Early Musique concrète
• Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music
• Three-Dimensional Kunstkopf Music and Audio Art
• Dispositive – Komposition und Technologie / Dispositives – Composition and Technology
• Space Impression Mediated by Sound
• Before and After Kontakte
• Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon
• Space, Sound, and Acousmatic Music
• »Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969)
• Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition
• Vom Finden zum Erfinden
• Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius
• François Bayle’s valeur obscure
• Raum in Luigi Nonos 1° Caminantes 􀀁 Ayacucho (1987)
• Klangarchitektur / Sound Architecture
• »...every movement is possible«
• The Complexity of Xenakis’s Notion of Space
• Biographies
• Index
• Backmatter