Kompositionen für hörbaren Raum / Compositions for Audible Space : : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / / ed. by Ralph Paland, Martha Brech.
The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compos...
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2015] ©2015 |
Year of Publication: | 2015 |
Edition: | 1. Aufl. |
Language: | English |
Series: | Musik und Klangkultur ;
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Physical Description: | 1 online resource (354 p.) |
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Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / ed. by Ralph Paland, Martha Brech. 1. Aufl. Bielefeld : transcript Verlag, [2015] ©2015 1 online resource (354 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Musik und Klangkultur ; 12 Frontmatter -- Inhalt / Content -- Foreword -- Facetten des auditiven Raums / Facets of Audible Space -- Local/Field and Beyond -- Annäherungen an Hör-Räume des Mittelalters -- Music and Space in the Renaissance -- Klangwelten für den großen Saal -- Henry Brants »Spatial Music« -- Spatiale Basistechnologien / Fundamental Spatial Technologies -- Von dislozierten Klängen und auditiven Räumen -- Recent Discoveries in the Spatial Thought of Early Musique concrète -- Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music -- Three-Dimensional Kunstkopf Music and Audio Art -- Dispositive – Komposition und Technologie / Dispositives – Composition and Technology -- Space Impression Mediated by Sound -- Before and After Kontakte -- Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon -- Space, Sound, and Acousmatic Music -- »Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969) -- Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition -- Vom Finden zum Erfinden -- Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius -- François Bayle’s valeur obscure -- Raum in Luigi Nonos 1° Caminantes Ayacucho (1987) -- Klangarchitektur / Sound Architecture -- »...every movement is possible« -- The Complexity of Xenakis’s Notion of Space -- Biographies -- Index -- Backmatter restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compositions and refined the possibilities of integrating the sound of space into music.In this anthology, analytical portraits of compositions and groups of compositions show the wide spectrum of spatial practices in early electroacoustic music. Additionally, retrospective views on the use of spatial composition in earlier epochs and in instrumental music of the 20th century portray the practice of spatial composition in different eras and genres, as well as the universality of spatial music as a topic. In this way the book contributes to a more differentiated understanding of the term »spatial music«.Die Integration des hörbaren Raums ist ein zentraler Aspekt der elektroakustischen Musik. Schon auf Basis der Analogtechnik entstanden spezielle Geräte und Verfahren, die Pioniere des Genres wie Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen oder Luigi Nono für ihre Vorstellungen von Raummusik heranzogen und weiter entwickelten.In diesem Band, der englisch- und deutschsprachige Beiträge gleichermaßen versammelt, zeigen analytische Portraits einzelner Kompositionen oder Kompositionsgruppen das breite Spektrum spatialer Praktiken in der frühen elektroakustischen Musik. Geschichtliche Rückblicke auf spatiale Kompositionsweisen früherer Epochen bis hin zur instrumentalen Musik des 20. Jahrhunderts stellen den epochen- und genrespezifischen Umgang mit Raum dar und belegen nicht nur die Universalität des Themas Raummusik, sondern leisten auch einen Beitrag zu deren begrifflicher Differenzierung. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) Electronic music History and criticism Congresses. Electronic music--History and criticism--Congresses. Music Music, general. Archaeology of Media. Aufführungspraxis. Electroacoustics. Elektroakustische Musik. Klang. Medienarchäologie. Music History. Music. Musicology. Musik. Musikgeschichte. Musikwissenschaft. Performance Practice. Raum. Sound. Space. Spatial Music. MUSIC / History & Criticism. bisacsh Anderson, Elizabeth L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bates, Enda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Battier, Marc, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Baumann, Dorothea, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brech, Martha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Brech, Martha, editor. edt http://id.loc.gov/vocabulary/relators/edt Brüstle, Christa, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Coler, Henrik von, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dack, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Decroupet, Pascal, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dollinger, Christina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Emmerson, Simon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gorne, Annette van de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Groote, Inga Mai, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kolb, Fabian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Motte-Haber, Helga de la, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Neumann, Sonja, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paland, Ralph, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paland, Ralph, editor. edt http://id.loc.gov/vocabulary/relators/edt Schmidt Horning, Susan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schröder, Julia H., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Solomos, Makis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter DG Plus PP Package 2015 Part 2 9783110766646 Title is part of eBook package: De Gruyter DG Plus eBook-Package 2015 9783110700985 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2015 9783110439687 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural and Area Studies 2015 9783110438673 ZDB-23-DKU Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014-2016 9783110489842 ZDB-23-TGP Title is part of eBook package: De Gruyter transcript English Backlist eBook-Package 2000-2015 9783110661552 https://doi.org/10.1515/9783839430767?locatt=mode:legacy https://www.degruyter.com/isbn/9783839430767 Cover https://www.degruyter.com/document/cover/isbn/9783839430767/original |
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Anderson, Elizabeth L., Anderson, Elizabeth L., Bates, Enda, Bates, Enda, Battier, Marc, Battier, Marc, Baumann, Dorothea, Baumann, Dorothea, Brech, Martha, Brech, Martha, Brech, Martha, Brech, Martha, Brüstle, Christa, Brüstle, Christa, Coler, Henrik von, Coler, Henrik von, Dack, John, Dack, John, Decroupet, Pascal, Decroupet, Pascal, Dollinger, Christina, Dollinger, Christina, Emmerson, Simon, Emmerson, Simon, Gorne, Annette van de, Gorne, Annette van de, Groote, Inga Mai, Groote, Inga Mai, Kolb, Fabian, Kolb, Fabian, Motte-Haber, Helga de la, Motte-Haber, Helga de la, Neumann, Sonja, Neumann, Sonja, Paland, Ralph, Paland, Ralph, Paland, Ralph, Paland, Ralph, Schmidt Horning, Susan, Schmidt Horning, Susan, Schröder, Julia H., Schröder, Julia H., Solomos, Makis, Solomos, Makis, |
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author_sort |
Anderson, Elizabeth L., |
title |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / |
spellingShingle |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / Musik und Klangkultur ; Frontmatter -- Inhalt / Content -- Foreword -- Facetten des auditiven Raums / Facets of Audible Space -- Local/Field and Beyond -- Annäherungen an Hör-Räume des Mittelalters -- Music and Space in the Renaissance -- Klangwelten für den großen Saal -- Henry Brants »Spatial Music« -- Spatiale Basistechnologien / Fundamental Spatial Technologies -- Von dislozierten Klängen und auditiven Räumen -- Recent Discoveries in the Spatial Thought of Early Musique concrète -- Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music -- Three-Dimensional Kunstkopf Music and Audio Art -- Dispositive – Komposition und Technologie / Dispositives – Composition and Technology -- Space Impression Mediated by Sound -- Before and After Kontakte -- Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon -- Space, Sound, and Acousmatic Music -- »Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969) -- Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition -- Vom Finden zum Erfinden -- Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius -- François Bayle’s valeur obscure -- Raum in Luigi Nonos 1° Caminantes Ayacucho (1987) -- Klangarchitektur / Sound Architecture -- »...every movement is possible« -- The Complexity of Xenakis’s Notion of Space -- Biographies -- Index -- Backmatter |
title_sub |
Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / |
title_full |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / ed. by Ralph Paland, Martha Brech. |
title_fullStr |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / ed. by Ralph Paland, Martha Brech. |
title_full_unstemmed |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / ed. by Ralph Paland, Martha Brech. |
title_auth |
Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / |
title_alt |
Frontmatter -- Inhalt / Content -- Foreword -- Facetten des auditiven Raums / Facets of Audible Space -- Local/Field and Beyond -- Annäherungen an Hör-Räume des Mittelalters -- Music and Space in the Renaissance -- Klangwelten für den großen Saal -- Henry Brants »Spatial Music« -- Spatiale Basistechnologien / Fundamental Spatial Technologies -- Von dislozierten Klängen und auditiven Räumen -- Recent Discoveries in the Spatial Thought of Early Musique concrète -- Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music -- Three-Dimensional Kunstkopf Music and Audio Art -- Dispositive – Komposition und Technologie / Dispositives – Composition and Technology -- Space Impression Mediated by Sound -- Before and After Kontakte -- Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon -- Space, Sound, and Acousmatic Music -- »Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969) -- Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition -- Vom Finden zum Erfinden -- Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius -- François Bayle’s valeur obscure -- Raum in Luigi Nonos 1° Caminantes Ayacucho (1987) -- Klangarchitektur / Sound Architecture -- »...every movement is possible« -- The Complexity of Xenakis’s Notion of Space -- Biographies -- Index -- Backmatter |
title_new |
Kompositionen für hörbaren Raum / Compositions for Audible Space : |
title_sort |
kompositionen für hörbaren raum / compositions for audible space : die frühe elektroakustische musik und ihre kontexte / the early electroacoustic music and its contexts / |
series |
Musik und Klangkultur ; |
series2 |
Musik und Klangkultur ; |
publisher |
transcript Verlag, |
publishDate |
2015 |
physical |
1 online resource (354 p.) |
edition |
1. Aufl. |
contents |
Frontmatter -- Inhalt / Content -- Foreword -- Facetten des auditiven Raums / Facets of Audible Space -- Local/Field and Beyond -- Annäherungen an Hör-Räume des Mittelalters -- Music and Space in the Renaissance -- Klangwelten für den großen Saal -- Henry Brants »Spatial Music« -- Spatiale Basistechnologien / Fundamental Spatial Technologies -- Von dislozierten Klängen und auditiven Räumen -- Recent Discoveries in the Spatial Thought of Early Musique concrète -- Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music -- Three-Dimensional Kunstkopf Music and Audio Art -- Dispositive – Komposition und Technologie / Dispositives – Composition and Technology -- Space Impression Mediated by Sound -- Before and After Kontakte -- Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon -- Space, Sound, and Acousmatic Music -- »Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969) -- Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition -- Vom Finden zum Erfinden -- Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius -- François Bayle’s valeur obscure -- Raum in Luigi Nonos 1° Caminantes Ayacucho (1987) -- Klangarchitektur / Sound Architecture -- »...every movement is possible« -- The Complexity of Xenakis’s Notion of Space -- Biographies -- Index -- Backmatter |
isbn |
9783839430767 9783110766646 9783110700985 9783110439687 9783110438673 9783110489842 9783110661552 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML1380 |
callnumber-sort |
ML 41380 K66 42015 |
genre_facet |
Congresses. |
url |
https://doi.org/10.1515/9783839430767?locatt=mode:legacy https://www.degruyter.com/isbn/9783839430767 https://www.degruyter.com/document/cover/isbn/9783839430767/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
786 - Keyboard & other instruments |
dewey-full |
786.7 |
dewey-sort |
3786.7 |
dewey-raw |
786.7 |
dewey-search |
786.7 |
doi_str_mv |
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oclc_num |
1164784151 |
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Kompositionen für hörbaren Raum / Compositions for Audible Space : Die frühe elektroakustische Musik und ihre Kontexte / The Early Electroacoustic Music and its Contexts / |
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Aufl.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld : </subfield><subfield code="b">transcript Verlag, </subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (354 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Musik und Klangkultur ;</subfield><subfield code="v">12</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Inhalt / Content -- </subfield><subfield code="t">Foreword -- </subfield><subfield code="t">Facetten des auditiven Raums / Facets of Audible Space -- </subfield><subfield code="t">Local/Field and Beyond -- </subfield><subfield code="t">Annäherungen an Hör-Räume des Mittelalters -- </subfield><subfield code="t">Music and Space in the Renaissance -- </subfield><subfield code="t">Klangwelten für den großen Saal -- </subfield><subfield code="t">Henry Brants »Spatial Music« -- </subfield><subfield code="t">Spatiale Basistechnologien / Fundamental Spatial Technologies -- </subfield><subfield code="t">Von dislozierten Klängen und auditiven Räumen -- </subfield><subfield code="t">Recent Discoveries in the Spatial Thought of Early Musique concrète -- </subfield><subfield code="t">Spatial Effects: Sound, Space, and Technology in Twentieth Century Popular Music -- </subfield><subfield code="t">Three-Dimensional Kunstkopf Music and Audio Art -- </subfield><subfield code="t">Dispositive – Komposition und Technologie / Dispositives – Composition and Technology -- </subfield><subfield code="t">Space Impression Mediated by Sound -- </subfield><subfield code="t">Before and After Kontakte -- </subfield><subfield code="t">Aspects of Space in Luigi Nono’s Prometeo and the Use of the Halaphon -- </subfield><subfield code="t">Space, Sound, and Acousmatic Music -- </subfield><subfield code="t">»Compare to Other Spaces, Real or Imagined« (Pauline Oliveros 1969) -- </subfield><subfield code="t">Theorie und Praxis der Raumkomposition / Theory and Practice of Spatial Composition -- </subfield><subfield code="t">Vom Finden zum Erfinden -- </subfield><subfield code="t">Space as a Carrier of Materials, Meaning, and Metaphor in Karlheinz Stockhausen’s Music-Theatre Composition Sirius -- </subfield><subfield code="t">François Bayle’s valeur obscure -- </subfield><subfield code="t">Raum in Luigi Nonos 1° Caminantes Ayacucho (1987) -- </subfield><subfield code="t">Klangarchitektur / Sound Architecture -- </subfield><subfield code="t">»...every movement is possible« -- </subfield><subfield code="t">The Complexity of Xenakis’s Notion of Space -- </subfield><subfield code="t">Biographies -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Backmatter</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compositions and refined the possibilities of integrating the sound of space into music.In this anthology, analytical portraits of compositions and groups of compositions show the wide spectrum of spatial practices in early electroacoustic music. Additionally, retrospective views on the use of spatial composition in earlier epochs and in instrumental music of the 20th century portray the practice of spatial composition in different eras and genres, as well as the universality of spatial music as a topic. In this way the book contributes to a more differentiated understanding of the term »spatial music«.Die Integration des hörbaren Raums ist ein zentraler Aspekt der elektroakustischen Musik. Schon auf Basis der Analogtechnik entstanden spezielle Geräte und Verfahren, die Pioniere des Genres wie Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen oder Luigi Nono für ihre Vorstellungen von Raummusik heranzogen und weiter entwickelten.In diesem Band, der englisch- und deutschsprachige Beiträge gleichermaßen versammelt, zeigen analytische Portraits einzelner Kompositionen oder Kompositionsgruppen das breite Spektrum spatialer Praktiken in der frühen elektroakustischen Musik. Geschichtliche Rückblicke auf spatiale Kompositionsweisen früherer Epochen bis hin zur instrumentalen Musik des 20. Jahrhunderts stellen den epochen- und genrespezifischen Umgang mit Raum dar und belegen nicht nur die Universalität des Themas Raummusik, sondern leisten auch einen Beitrag zu deren begrifflicher Differenzierung.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Electronic music</subfield><subfield code="x">History and criticism</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Electronic music--History and criticism--Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Music, general.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Archaeology of Media.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aufführungspraxis.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Electroacoustics.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Elektroakustische Musik.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Klang.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Medienarchäologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musikgeschichte.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musikwissenschaft.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performance Practice.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Raum.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield 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