Postnaturalism : : Frankenstein, Film, and the Anthropotechnical Interface / / Shane Denson.
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonan...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014 |
|---|---|
| VerfasserIn: | |
| MitwirkendeR: | |
| Place / Publishing House: | Bielefeld : : transcript Verlag, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Edition: | 1. Aufl. |
| Language: | English |
| Series: | Film
|
| Online Access: | |
| Physical Description: | 1 online resource (432 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Foreword: Logics of Transition
- 1. Introduction: Monster Movies and Metaphysics
- Part One
- 2. Frankenstein’s Filmic Progenies: A Techno-Phenomenological Approach
- 3. Monsters in Transit: Edison’s Frankenstein
- Part Two
- 4. To the Heart of (the) Matter: Frankenstein, Embodiment, Materiality
- 5. Of Steam Engines, Revolutions, and the (Un)natural History of Matter: A Techno-Scientific Interlude
- 6. Re-Focusing Cinematic Double Vision: Seriality, Mediality, and Mediation in Postnatural Perspective
- Part Three
- 7. Universal Monsters and Monstrous Particulars
- 8. Lines of Flight: Transitional Thoughts by Way of Conclusion
- Works Cited