Postnaturalism : : Frankenstein, Film, and the Anthropotechnical Interface /

Postnaturalism : : Frankenstein, Film, and the Anthropotechnical Interface / / Shane Denson.

»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonan...

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Superior document:Title is part of eBook package: De Gruyter transcript Complete eBook Package 2014
VerfasserIn:
Denson, Shane,
MitwirkendeR:
Hansen, Mark B. N.,
Hansen, Mark B.N.,
Place / Publishing House:Bielefeld : : transcript Verlag, , [2014]
©2014
Year of Publication:2014
Edition:1. Aufl.
Language:English
Series:Film
Online Access:
Physical Description:1 online resource (432 p.)
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100 1 |a Denson, Shane,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Postnaturalism :  |b Frankenstein, Film, and the Anthropotechnical Interface /  |c Shane Denson. 
250 |a 1. Aufl. 
264 1 |a Bielefeld :   |b transcript Verlag,   |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (432 p.) 
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490 0 |a Film 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgements --   |t Foreword: Logics of Transition --   |t 1. Introduction: Monster Movies and Metaphysics --   |t Part One --   |t 2. Frankenstein’s Filmic Progenies: A Techno-Phenomenological Approach --   |t 3. Monsters in Transit: Edison’s Frankenstein --   |t Part Two --   |t 4. To the Heart of (the) Matter: Frankenstein, Embodiment, Materiality --   |t 5. Of Steam Engines, Revolutions, and the (Un)natural History of Matter: A Techno-Scientific Interlude --   |t 6. Re-Focusing Cinematic Double Vision: Seriality, Mediality, and Mediation in Postnatural Perspective --   |t Part Three --   |t 7. Universal Monsters and Monstrous Particulars --   |t 8. Lines of Flight: Transitional Thoughts by Way of Conclusion --   |t Works Cited 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a »Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment.With a foreword by media theorist Mark B. N. Hansen. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Frankenstein films -- Philosophy. 
650 0 |a Frankenstein films  |x Philosophy. 
650 0 |a Naturalism. 
650 0 |a Postmodernism. 
650 4 |a Analogue Media. 
650 4 |a Embodiment. 
650 4 |a Film. 
650 4 |a Media Philosophy. 
650 4 |a Media Studies. 
650 4 |a Media Theory. 
650 4 |a Philosophy of Technology. 
650 7 |a SOCIAL SCIENCE / Media Studies.  |2 bisacsh 
653 |a Analogue Media. 
653 |a Embodiment. 
653 |a Film. 
653 |a Media Philosophy. 
653 |a Media Studies. 
653 |a Media Theory. 
653 |a Philosophy of Technology. 
700 1 |a Hansen, Mark B. N.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Hansen, Mark B.N.,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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